We present this work in honor of the 490th anniversary of the poet’s death.

 

Upon two beauteous images below
Each of these female statues fix their feet.
The lower seem with open mouth to show
That song and harmony to them are sweet;
And, by their attitude, ’twould seem, as though
Their every work and every study meet
In praising them, they on their shoulders bear,
As they would those whose likenesses they wear.

The images below them in their hand
Long scrolls and of an ample size contain,
Which of the worthiest figures of that band
The several names with mickle praise explain
As well their own at little distance stand,
Inscribed upon that scroll, in letters plain,
Rinaldo, by the help of blazing lights,
Marked, one by one, the ladies and their knights.

The first inscription there which meets the eye
Recites at length Lucretia Borgia’s fame,
Whom Rome should place, for charms and chastity,
Above that wife who whilom bore her name.
Strozza and Tebaldeo—Anthony
And Hercules—support the honoured dame:
(So says the scroll): for tuneful strain, the pair
A very Linus and an Orpheus are.

A statue no less jocund, no less bright,
Succeeds, and on the writing is impressed;
Lo! Hercules’ daughter, Isabella hight,
In whom Ferrara deems her city blest,
Much more because she first shall see the light
Within its circuit, than for all the rest
Which kind and favouring Fortune in the flow
Of rolling years, shall on that town bestow.

The pair that such desirous ardour shew
That aye her praises should be widely blown:
John James alike are named: of those fair two,
One is Calandra, one is Bardelon.
In the third place, and fourth, where trickling through
Small rills, the water quits that octagon,
Two ladies are there, equal in their birth,
Equal in country, honour, charms and worth.

Translation by William Stewart Rose