Ode on Solitude

Alexander Pope
English
1688 – 1744

 

Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air,
In his own ground.

Whose heards with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.

Blest! who can unconcern’dly find
Hours, days, and years slide soft away,
In health of body, peace of mind,
Quiet by day,

Sound sleep by night; study and ease
Together mix’d; sweet recreation,
And innocence, which most does please,
With meditation.

Thus let me live, unseen, unknown;
Thus unlamented let me dye;
Steal from the world, and not a stone
Tell where I lye.

The Thought Fox

We present this work in honor of the poet’s 90th birthday.

Ted Hughes
English
1930 – 1998

 

I imagine this midnight moment’s forest:
Something else is alive
Beside the clock’s loneliness
And this blank page where my fingers move.

Through the window I see no star:
Something more near
Though deeper within darkness
Is entering the loneliness:

Cold, delicately as the dark snow,
A fox’s nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now

Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come

Across clearings, an eye,
A widening deepening greenness,
Brilliantly, concentratedly,
Coming about its own business

Till, with a sudden sharp hot stink of fox
It enters the dark hole of the head.
The window is starless still; the clock ticks,
The page is printed.

Moonlight

Vita Sackville-West
English
1892 – 1962

 

What time the meanest brick and stone
Take on a beauty not their own,
And past the flaw of builded wood
Shines the intention whole and good,
And all the little homes of man
Rise to a dimmer, nobler span;
When colour’s absence gives escape
To the deeper spirit of the shape,

— Then earth’s great architecture swells
Among her mountains and her fells
Under the moon to amplitude
Massive and primitive and rude:

— Then do the clouds like silver flags
Stream out above the tattered crags,
And black and silver all the coast
Marshalls its hunched and rocky host,
And headlands striding sombrely
Buttress the land against the sea,
— The darkened land, the brightening wave —
And moonlight slants through Merlin’s cave.

To Lucasta, Going to the Wars

Richard Lovelace
English
1617 – 1657

 

Tell me not (Sweet) I am unkind,
That from the nunnery
Of thy chaste breast and quiet mind
To war and arms I fly.

True, a new mistress now I chase,
The first foe in the field;
And with a stronger faith embrace
A sword, a horse, a shield.

Yet this inconstancy is such
As you too shall adore;
I could not love thee (Dear) so much,
Lov’d I not Honour more.

To Her Father With Some Verses

We present this work in honor of Parents’ Day.

Anne Bradstreet
English
1612 – 1672

 

Most truly honoured, and as truly dear,
If worth in me or ought I do appear,
Who can of right better demand the same
Than may your worthy self from whom it came?
The principal might yield a greater sum,
Yet handled ill, amounts but to this crumb;
My stock’s so small I know not how to pay,
My bond remains in force unto this day;
Yet for part payment take this simple mite,
Where nothing’s to be had, kings loose their right.
Such is my debt I may not say forgive,
But as I can, I’ll pay it while I live;
Such is my bond, none can discharge but I,
Yet paying is not paid until I die.

Love Arm’d

We present this work in honor of the poet’s 380th birthday.

Aphra Behn
English
1740 – 1689

 

Love in Fantastique Triumph satt,
Whilst bleeding Hearts around him flow’d,
For whom Fresh pains he did create,
And strange Tryanic power he show’d;
From thy Bright Eyes he took his fire,
Which round about, in sport he hurl’d;
But ‘twas from mine he took desire,
Enough to undo the Amorous World.
From me he took his sighs and tears,
From thee his Pride and Crueltie;
From me his Languishments and Feares,
And every Killing Dart from thee;
Thus thou and I, the God have arm’d,
And sett him up a Deity;
But my poor Heart alone is harm’d,
Whilst thine the Victor is, and free.

Still Falls the Rain

Dame Edith Sitwell
English
1887 – 1964

 

Still falls the Rain—
Dark as the world of man, black as our loss—
Blind as the nineteen hundred and forty nails
Upon the Cross.

Still falls the Rain
With a sound like the pulse of the heart that is changed to the hammer-beat
In the Potter’s Field, and the sound of the impious feet

On the Tomb:
Still falls the Rain

In the Field of Blood where the small hopes breed and the human brain
Nurtures its greed, that worm with the brow of Cain.

Still falls the Rain
At the feet of the Starved Man hung upon the Cross.
Christ that each day, each night, nails there, have mercy on us—
On Dives and on Lazarus:
Under the Rain the sore and the gold are as one.

Still falls the Rain—
Still falls the Blood from the Starved Man’s wounded Side:
He bears in His Heart all wounds,—those of the light that died,
The last faint spark
In the self-murdered heart, the wounds of the sad uncomprehending dark,
The wounds of the baited bear—
The blind and weeping bear whom the keepers beat
On his helpless flesh… the tears of the hunted hare.

Still falls the Rain—
Then— O Ile leape up to my God: who pulles me doune—
See, see where Christ’s blood streames in the firmament:
It flows from the Brow we nailed upon the tree

Deep to the dying, to the thirsting heart
That holds the fires of the world,—dark-smirched with pain
As Caesar’s laurel crown.

Then sounds the voice of One who like the heart of man
Was once a child who among beasts has lain—
“Still do I love, still shed my innocent light, my Blood, for thee.”

A Ballad of John Silver

We present this work in honor of National Maritime Day.

John Masefield
English
1878 – 1967

 

We were schooner-rigged and rakish,
with a long and lissome hull,
And we flew the pretty colours of the crossbones and the skull;
We’d a big black Jolly Roger flapping grimly at the fore,
And we sailed the Spanish Water in the happy days of yore.

We’d a long brass gun amidships, like a well-conducted ship,
We had each a brace of pistols and a cutlass at the hip;
It’s a point which tells against us, and a fact to be deplored,
But we chased the goodly merchant-men and laid their ships aboard.

Then the dead men fouled the scuppers and the wounded filled the chains,
And the paint-work all was spatter dashed with other peoples brains,
She was boarded, she was looted, she was scuttled till she sank.
And the pale survivors left us by the medium of the plank.

O! then it was (while standing by the taffrail on the poop)
We could hear the drowning folk lament the absent chicken coop;
Then, having washed the blood away, we’d little else to do
Than to dance a quiet hornpipe as the old salts taught us to.

O! the fiddle on the fo’c’sle, and the slapping naked soles,
And the genial “Down the middle, Jake, and curtsey when she rolls!”
With the silver seas around us and the pale moon overhead,
And the look-out not a-looking and his pipe-bowl glowing red.

Ah! the pig-tailed, quidding pirates and the pretty pranks we played,
All have since been put a stop to by the naughty Board of Trade;
The schooners and the merry crews are laid away to rest,
A little south the sunset in the islands of the Blest.

In a Museum

We present this work in honor of International Museum Day.

Thomas Hardy
English
1840 – 1928

 

I

Here’s the mould of a musical bird long passed from light,
Which over the earth before man came was winging;
There’s a contralto voice I heard last night,
That lodges in me still with its sweet singing.

II

Such a dream is Time that the coo of this ancient bird
Has perished not, but is blent, or will be blending
Mid visionless wilds of space with the voice that I heard,
In the full-fugued song of the universe unending.