We present this work in honor of the poet’s 110th birthday.
Anne Wilkinson Canadian 1910 – 1961
Thirty elongated seconds
By the sun
We stare, the cat and I,
Strangers, cool and crouched
Behind unwinking green
Till flick
Along the spine, a whip
Of recognition cut
Our masks of fur and skin,
Cat-o’-nine-tails with a sting
Neither hinted at
By curl of lip
Or spitting tongue.
Then one cat turned
With poise of air
And washed a spotless paw,
The other took a tortoiseshell comb
And almost yawned
As she combed her tatless hair.
In honor of Oktoberfest, we present this work by one of the great German-American poets.
Liesel Mueller German 1924 – 2020
In Sleeping Beauty’s castle
the clock strikes one hundred years
and the girl in the tower returns to the world.
So do the servants in the kitchen,
who don’t even rub their eyes.
The cook’s right hand, lifted
an exact century ago,
completes its downward arc
to the kitchen boy’s left ear;
the boy’s tensed vocal cords
finally let go
the trapped, enduring whimper,
and the fly, arrested mid-plunge
above the strawberry pie
fulfills its abiding mission
and dives into the sweet, red glaze.
As a child I had a book
with a picture of that scene.
I was too young to notice
how fear persists, and how
the anger that causes fear persists,
that its trajectory can’t be changed
or broken, only interrupted.
My attention was on the fly:
that this slight body
with its transparent wings
and life-span of one human day
still craved its particular share
of sweetness, a century later.
Thirteen sisters beside the sea,
(Have a care, my son.)
Builded a house called Liberty
And locked the doors with a stately key.
None should enter it but the free.
(Have a care, my son.)
The walls are solid as Plymouth Rock.
(Rock can crumble, my son.)
The door of seasoned New England stock.
Before it a Yankee fighting-cock.
Pecks redcoat kings away from the lock.
(Fighters can die, my son.)
The hearth is a corner where sages sit.
(Sages pass, my son.)
Washington’s heart lies under it.
And the long roof-beams are chiseled and split
From hickory tough as Jackson’s wit.
(Bones in the dust, my son.)
The trees in the garden are fair and fine.
(Trees blow down, my son.)
Connecticut elm and Georgia pine.
The warehouse groans with cotton and swine.
The cellar is full of scuppernong-wine.
(Wine turns sour, my son.)
Surely a house so strong and bold,
(The wind is rising, my son,)
Will last till Time is a pinch of mould!
There is a ghost, when the night is old.
There is a ghost who walks in the cold.
(The trees are shaking, my son.)
The sisters sleep on Liberty’s breast,
(The thunder thunders, my son,)
Like thirteen swans in a single nest.
But the ghost is naked and will not rest
Until the sun rise out of the West.
(The lightning lightens, my son.)
All night long like a moving stain,
(The trees are breaking, my son,)
The black ghost wanders his house of pain.
There is blood where his hand has lain.
It is wrong he should wear a chain.
(The sky is falling, my son.)
In honor of Mexican Indepedence Day, we present this work by one of Mexico’s greatest poets.
Enrique Gonzalez Martinez Mexican 1871 – 1952
Wring the swan’s neck who with deceiving plumage
inscribes his whiteness on the azure stream;
he merely vaunts his grace and nothing feels
of nature’s voice or of the soul of things.
Every form eschew and every language
whose processes with deep life’s inner rhythm
are out of harmony…and greatly worship
life, and let life understand your homage.
See the sapient owl who from Olympus
spreads his wings, leaving Athene’s lap,
and stays his silent flight on yonder tree.
His grace is not the swan’s, but his unquiet
pupil, boring into the gloom, interprets
the secret book of the nocturnal still.
My Pillow gazes upon me at night
Empty as a gravestone;
I never thought it would be so bitter
To be alone,
Not to lie down asleep in your hair.
I lie alone in a silent house,
The hanging lamp darkened,
And gently stretch out my hands
To gather in yours,
And softly press my warm mouth
Toward you, and kiss myself, exhausted and weak-
Then suddenly I’m awake
And all around me the cold night grows still.
The star in the window shines clearly-
Where is your blond hair,
Where your sweet mouth?
Now I drink pain in every delight
And poison in every wine;
I never knew it would be so bitter
To be alone,
Alone, without you.
Put me to death
in the blood of this crystal
that I might go unblemished to God.
An embrace of vineyards and sugarcane
overthrew the quietude in which I rose.
A sweet embrace remembered
will open into the light
the protected, ravelled way,
used for the first time
in centuries of brotherly silence.
Through so much anointing,
through so much stony silence
moist silence of tile sun of flight
— silence revived in cries.
Put me to death
in the mystery of Your wine and Your water
on the side through which I live,
on the rock in which I seek wisdom
through the fog of a mystical tropical morning.
If I am put to death this way
I might live forever in the silence
of a day without soil and brine.
We present this work in honor of the 25th anniversary of the poet’s death.
Earle Birney Canadian 1904 – 1995
Unreal tall as a myth
by the road the Himalayan bear
is beating the brilliant air
with his crooked arms
About him two men bare
spindly as locusts leap
One pulls on a ring
in the great soft nose His mate
flicks flicks with a stick
up at the rolling eyes
They have not led him here
down from the fabulous hills
to this bald alien plain
and the clamorous world to kill
but simply to teach him to dance
They are peaceful both these spare
men of Kashmir and the bear
alive is their living too
If far on the Delhi way
around him galvanic they dance
it is merely to wear wear
from his shaggy body the tranced
wish forever to stay
only an ambling bear
four-footed in berries
It is no more joyous for them
in this hot dust to prance
out of reach of the praying claws
sharpened to paw for ants
in the shadows of deodars
It is not easy to free
myth from reality
or rear this fellow up
to lurch lurch with them
in the tranced dancing of men
We present this work in honor of the 105th anniversary of the poet’s death.
August Stramm German 1874 – 1915
Yielding clod lulls iron off to sleep
bloods clot the patches where they oozed
rusts crumble
fleshes slime
sucking lusts around decay.
Murder on murder blinks
in childish eyes.
All the hills and vales along
Earth is bursting into song,
And the singers are the chaps
Who are going to die perhaps.
O sing, marching men,
Till the valleys ring again.
Give your gladness to earth’s keeping,
So be glad, when you are sleeping.
Cast away regret and rue,
Think what you are marching to.
Little live, great pass.
Jesus Christ and Barabbas
Were found the same day.
This died, that went his way.
So sing with joyful breath,
For why, you are going to death.
Teeming earth will surely store
All the gladness that you pour.
Earth that never doubts nor fears,
Earth that knows of death, not tears,
Earth that bore with joyful ease
Hemlock for Socrates,
Earth that blossomed and was glad
‘Neath the cross that Christ had,
Shall rejoice and blossom too
When the bullet reaches you.
Wherefore, men marching
On the road to death, sing!
Pour your gladness on earth’s head,
So be merry, so be dead.
From the hills and valleys earth
Shouts back the sound of mirth,
Tramp of feet and lilt of sing
Ringing all the road along.
All the music of their going,
Ringing swinging glad song-throwing,
Earth will echo still, when foot
Lies numb and voice mute.
On, marching men, on
To the gates of death with song.
Sow your gladness for earth’s reaping,
So you may be glad, though sleeping.
Strew your gladness on earth’s bed,
So be merry, so be dead.
Poets Corner 