We present this work in honor of Ganesh Chaturthi.
Rain-at-night,
Like some young mad woman
For nothing
Weeping, laughing, whimpering,
Muttering without a stop,
And sitting huddled up,
Tossing her long hair.
Inside Ayers Rock is lit
with paired fluorescent lights
on steel pillars supporting the ceiling
of haze-blue marquee cloth
high above the non-slip pavers.
Curving around the cafeteria
throughout vast inner space
is a Milky way of plastic chairs
in foursomes around tables
all the way to the truck drivers’ enclave.
Dusted coolabah trees grow to the ceiling,
TVs talk in gassy colours, and
round the walls are Outback shop fronts:
the Beehive Bookshop for brochures,
Casual Clobber, the bottled Country Kitchen
and the sheet-iron Dreamtime Experience
that is turned off at night.
A high bank of medal-ribbony
lolly jars preside over
island counters like opened crates,
one labelled White Mugs, and covered with them.
A two-dimensional policeman
discourages shoplifting of gifts
and near the entrance, where you pay
for fuel, there stands a tribal man
in rib-paint and pubic tassel.
It is all gentle and kind.
In beyond the children’s playworld
there are fossils, like crumpled
old drawings of creatures in rock.
Since my wife was born
she must have eaten
the equivalent of two-thirds
of the original garden of Eden.
Not the dripping lush fruit
or the meat in the ribs of animals
but the green salad gardens of that place.
The whole arena of green
would have been eradicated
as if the right filter had been removed
leaving only the skeleton of coarse brightness.
All green ends up eventually
churning in her left cheek.
Her mouth is a laundromat of spinning drowning herbs.
She is never in fields
but is sucking the pith out of grass.
I have noticed the very leaves from flower decorations
grow sparse in their week long performance in our house.
The garden is a dust bowl.
On our last day in Eden as we walked out
she nibbled the leaves at her breasts and crotch.
But there’s none to touch
none to equal
the Chlorophyll Kiss
And one morning while in the woods I stumbled
suddenly upon the thing,
Stumbled upon it in a grassy clearing guarded by scaly
oaks and elms
And the sooty details of the scene rose, thrusting
themselves between the world and me…
There was a design of white bones slumbering forgottenly
upon a cushion of ashes.
There was a charred stump of a sapling pointing a blunt
finger accusingly at the sky.
There were torn tree limbs, tiny veins of burnt leaves, and
a scorched coil of greasy hemp;
A vacant shoe, an empty tie, a ripped shirt, a lonely hat,
and a pair of trousers stiff with black blood.
And upon the trampled grass were buttons, dead matches,
butt-ends of cigars and cigarettes, peanut shells, a
drained gin-flask, and a whore’s lipstick;
Scattered traces of tar, restless arrays of feathers, and the
lingering smell of gasoline.
And through the morning air the sun poured yellow
surprise into the eye sockets of the stony skull…
And while I stood my mind was frozen within cold pity
for the life that was gone.
The ground gripped my feet and my heart was circled by
icy walls of fear-
The sun died in the sky; a night wind muttered in the
grass and fumbled the leaves in the trees; the woods
poured forth the hungry yelping of hounds; the
darkness screamed with thirsty voices; and the witnesses rose and lived:
The dry bones stirred, rattled, lifted, melting themselves
into my bones.
The grey ashes formed flesh firm and black, entering into
my flesh.
The gin-flask passed from mouth to mouth, cigars and
cigarettes glowed, the whore smeared lipstick red
upon her lips,
And a thousand faces swirled around me, clamoring that
my life be burned…
And then they had me, stripped me, battering my teeth
into my throat till I swallowed my own blood.
My voice was drowned in the roar of their voices, and my
black wet body slipped and rolled in their hands as
they bound me to the sapling.
And my skin clung to the bubbling hot tar, falling from
me in limp patches.
And the down and quills of the white feathers sank into
my raw flesh, and I moaned in my agony.
Then my blood was cooled mercifully, cooled by a
baptism of gasoline.
And in a blaze of red I leaped to the sky as pain rose like water, boiling my limbs
Panting, begging I clutched childlike, clutched to the hot
sides of death.
Now I am dry bones and my face a stony skull staring in
yellow surprise at the sun…
Waiter! Bring another round,
and serve a drink to anyone who wants one.
I’ve felt quite alone
and I’ve been quite sad
since I discovered the cruel truth.
Waiter! Bring another round—
last night, I saw the two of them together…
I wanted revenge, I wanted to kill her,
but some impulse calmed me down.
I went out to the street, taken aback,
I was in a haze until I arrived here
to ask these wise men
to ask them what I should do…
“Forget it, my friend,” some will say,
but I could never just forget her…
and if I kill her, then I’d live without her—
live without her! I never could!
Waiter! Bring another round
and serve a drink to anyone who wants one.
I want to make myself happy with this wine—
we’ll see if wine makes me forget.
It is not for the safety of silence
That this man has opened his arms to lead
The strength of his words hangs in the air
As the strength in his eyes remains on the sky;
And the years of impatient waiting draw on
While this man burns to clear the smoke in the air.
There is fire here,
Which no prison
Can kill in this man;
And I watch it in Mandela.
This love, that dares not warm before its flame
Our yearning hands, or from its tempting tree
Yield fruit we may consume, or let us claim
In Hymen’s scroll of happy heraldry
The twining glyphs of perfect you and me —
May kindle social fires whence curls no blame,
Find gardens where no fruits forbidden be,
And mottoes weave, unsullied by a shame.
For, love, unmothered Childhood wanly waits
For such as you to cherish it to Youth:
Raw social soils untilled need Love’s own verve
That Peace a-flower may oust their weedy hates:
And where Distress would faint from wolfish sleuth
The perfect lovers’ symbol is “We serve!”
Through Rohan over fen and field where the long grass grows,
The West Wind comes walking, and about the walls it goes.
‘What news from the West, O wandering wind, do you bring to me tonight?
Have you seen Boromir the Tall by moon or by starlight?’
‘I saw him ride over seven streams, over waters wide and grey.
I saw him walk in empty lands, until he passed away
Into the shadows of the North. I saw him then no more.
The North Wind may have heard the horn of the son of Denethor.’
‘O Boromir! From the high walls westward I looked afar,
But you came not from the empty lands where no men are.’
From the mouths of the sea the South Wind flies, from the sandhills and the stones;
The wailing of the gulls it hears, and at the gate it moans.
‘What news from the South, O sighing wind, do you bring to me at eve?
Where now is Boromir the fair? He tarries and I grieve!’
‘Ask me not of where he doth dwell—so many bones there lie
On the white shores and the dark shores under the stormy sky;
So many have passed down Anduin to find the flowing Sea.
Ask of the North Wind news of them the North Wind sends to me!’
‘O Boromir! Beyond the gate the seaward road runs south,
But you came not with the wailing gulls from the grey sea’s mouth.’
From the Gate of Kings the North Wind rides, and past the roaring falls;
And clear and cold about the tower its loud horn calls.
‘What news from the North, O mighty wind, do you bring to me today?
What news of Boromir the Bold? For he is long away.’
‘Beneath Amon Hen I heard his cry. There many foes he fought.
His cloven shield, his broken sword, they to the water brought.
His head so proud, his face so fair, his limbs they laid to rest;
And Rauros, golden Rauros-falls, bore him upon its breast.’
‘O Boromir! The Tower of Guard shall ever northward gaze
To Rauros, golden Rauros-falls, until the end of days.’
We present this work in honor of Labor Day.
Who built Thebes of the seven gates?
In the books you will find the names of kings.
Did the kings haul up the lumps of rock?
And Babylon, many times demolished
Who raised it up so many times? In what houses
of gold-glittering Lima did the builders live?
Where, the evening that the Wall of China was finished
Did the masons go? Great Rome
Is full of triumphal arches. Who erected them? Over whom
Did the Caesars triumph? Had Byzantium, much praised in song
Only palaces for its inhabitants? Even in fabled Atlantis
The night the ocean engulfed it
The drowning still bawled for their slaves.
The young Alexander conquered India.
Was he alone?
Caesar beat the Gauls.
Did he not have even a cook with him?
Philip of Spain wept when his armada
Went down. Was he the only one to weep?
Frederick the Second won the Seven Year’s War. Who
Else won it?
Every page a victory.
Who cooked the feast for the victors?
Every ten years a great man?
Who paid the bill?
So many reports.
So many questions.
In honor of Muharram, we present this work by one of Egypt’s greatest Muslim poets.
Oh mother, how does the sky look? And what is light and what is the moon?
About their beauty you speak, but I don’t see any of it.
Is this world darkness upon infinite darkness?
Oh mother, give me your hand and perhaps boredom will leave me.
I walk with fear of tripping, at day or dusk.
I walk unguided, whether the path is long or short.
I walk with trepidation lest I encounter a sudden danger
and the earth to me is all the same, the flat and the potholed.
My cane is my vision. Can you imagine vision so solid?
Children run and play and frolic and there’s no problem for them in that.
But I am blind and sitting at home, in place
God is kind to me and He alleviates my distress.
Poets Corner 