That night was to decide
if she and I
were to be lovers.
Under cover
of darkness
no one would see, you see.
I bent over her, it’s the truth,
and as I did,
it’s the truth, I swear it,
I said
like a kindly parent:
“Passion’s a precipice –
so won’t you please
move away?
Move away,
please!”
As long as the sky whirls
You will be my redemption and my doom,
magnetic vision,
lily in underwear,
salvation and madness
every night waiting.
As long as the sky whirls
no infernal could be a stranger
because I have to take care that that would not harm you,
No joy would go by inadvertent
Because in some way I have to reveal it to you,
As long as
the sky
whirls
you will be the truth of myself,
the song and the venom,
the danger and the ecstasies,
the vigil and the sleep,
the dread and the miracle.
As long as the sky whirls … but perhaps the sky whirls?
Well: as long as the sky exists.
As long as
the sky
exists
you will be my pain most noticeable,
my loneliness most tragic
my bewilderment unanimous
my perpetuous silence
and my absolute consolation.
As long as the sky exists … but perhaps the sky exists?
Well: as long as you yourself exist.
As long as
you yourself
exist
you will be the mirror and the time,
the infinity and the imminent,
the memory and the unusual
the defeat and the verse,
my enemy and my image.
Because there would be no more suns than the ones you yourself radiate
like there would be no other penance than to know that you exist.
But perhaps you do exist?
We present this work in honor of the poet’s 140th birthday.
Seamus O’Sullivan Irish 1879 – 1958
A Piper in the streets today
Set up, and tuned, and started to play,
And away, away, away on the tide
Of his music we started; on every side
Doors and windows were opened wide,
And men left down their work and came,
And women with petticoats coloured like flame.
And little bare feet that were blue with cold,
Went dancing back to the age of gold,
And all the world went gay, went gay,
For half an hour in the street today.
We present this work in honor of the 30th anniversary of the poet’s death.
Nicolás Guillén Cuban 1902 – 1989
This is hunger. An animal
all fangs and eyes.
It cannot be distracted or deceived.
It is not satisfied with one meal.
It is not content
with a lunch or a dinner.
Always threatens blood.
Roars like alion, squeezes like a boa,
thinks like a person.
The specimen before you
Was captured in India (outskirts of Bombay),
but it exists in a more or less savage state
in many others places.
We present this work in honor of the poet’s 100th birthday.
Iris Murdoch Irish 1919 – 1999
Tu es mon mal
You have searched my heart; and far down
The dark nets in the dark waters move.
This is but a sad image of love;
Unless from depth itself a strength can come.
Dazzling and electrical, a tension of the nerves,
Fear and even hatred, turn to steel.
Is this the true tenderness I hoped to feel?
Or is violence itself a power that saves?
I can see no hope in your sex branded eyes.
Our extreme union is a lack of hope.
Is this the future’s flesh, its innocent shape,
Kernel of lightning in collapsing skies?
You are the troubled and dark power counter
To which setting foot and knee I strain
Until I define myself in a rending pain
And see in shock my soul’s fragments founder.
Shot through the head into a diamond glory.
Promised not present – there is only a shiver
Along the nerves. The notion of never
Is an unformulated part of the story.
Crying with fear compelled from your embrace
You are the steep way that I slowly tread –
The gazing skull that entering my head
Aches with mortality upon my face.
You are the iron man with whom I dance
Where each step is original with life –
While truth is at our wrist like a blunt knife.
You are the wakening as you are the trance.
My hatred for you pierces you like love –
My secret moods come blooded from your heart.
My starry thoughts that burn to fly apart,
Scattering worlds, in your cold orbit move.
There is no excaping the dimensions of space,
All other spaces are contained therein.
You are my necessity; although I run
My thinking feet imagine no new place.
Only the truth can hold our reeling galaxy –
To truth your power must bend its unkind laws.
The Power that holds us both upon our course
Is our unsteady love’s only identity.
The darkness in me of untruth to you,
Your jealous force that weighs upon my neck,
Must in our new heaven and earth break
Into the singing of planets the night through.
Our poor love lifts a soiled and bleeding face,
And all the air is black with our offence.
My hand in the darkness touches yours once
And the tenderness I prayed for comes as a grace.
Tu es mal on hoi mon guerison, Tu es la froide terre que reveillaient mes pleurs, La mort qui me venait comblee de fleurs Don’t le parfum est enfain un benison.
Waking, child, while you slept, your mother took
Down from its wooden peg her reaping-hook,
Rustless with use, to cut (her task when dawn
With nervous light would bead the dusky leaves)
From the cold wheat-paddock’s shivering fringe, two sheaves;
Against a block she’d thrash, the golden grain,
Then winnow corn and husk, and toss again…
With bustling care, in genial haste, not late
Her cows she’d milk, her butter churn, and set
Fresh cream in scalded pans. Her hens she’d feed
With hot scraps, stirred in pollard from the bin;
Then give her dribbling calves what drink they need;
Or drive with flowery staff
Meek stragglers through the gate;
Or on her youngest-born
Impose the fret,
The letter’d tyranny, of the alphabet.
To dig, to delve, to drive wild cattle in,
(“Ester, ley thou thy meekness al a-doun”)
To scour, to sweep, to wash and iron, to spin;
(Penelopee and Marcia Catoun
Make of your wifehood no comparisoun,”)
To sew, to darn, to cook; to bake, to brew,
To bear, to rear, to burse her children, too;
(“And Cleopatre, with al thy passioun
Hyde ye your trouthe of love and your renoun.”)
Though, child, your mother, trembling, smiled at fear,
Fears had she; the blackfellow’s cruel spear,
White desperadoes. When to the open well
She crept at nightfall, being all alone,
For comfort, then, she’d watch her frugal rush,
The only gleam in all that virgin bush,
Cheer the unshutter’d, distant window-pane;
Then hoist her twirling bucket yet again.
When in a drought the waterholes ran dry
And of “dry-bible” half the herds would die,
And others in their agony creep to lie
About the homestead, moaning piteously,
Or, famished, on the deadly purple weed,
Or poisonous variegated thistle, feed,
The men being absent, then, to give release,
She brought to every suffering brute death’s peace;
Who never heard the rain
Fall, but she heard again
The cattle in their pain.
But in a lucky year your mother’s care
Was all to save the wealth her orchard bore;
Apples and plums, peach, apricot and pear,
Mandarins, nectarines, tangerines, a score
Of rosy berries, currants and their kind;
Drying these last, through muslin she would squeeze
Damson or apple cheese;
Quinces, conserve; bottle black mulberries…
She for her cellar with a cheerful mind
Would brew in tubs peach-beer,
Sparkling and clear,
Rub pears and trinities of apples bruise
To perry and cider in a wooden cruse.
Of keeving and pomace then grossip ran,
One Servant assigned her being a Devon man,
Whose convict clothes and homely face—so kind—Smiling, you may remember, music on The knight, his grandson and the judge, his son.
We present this work in honor of the Irish holiday, the Twelfth (Battle of the Boyne).
Paul Muldoon Irish b. 1951
When the Master was calling the roll
At the primary school in Collegelands,
You were meant to call back Anseo
And raise your hand
As your name occurred. Anseo, meaning here, here and now,
All present and correct,
Was the first word of Irish I spoke.
The last name on the ledger
Belonged to Joseph Mary Plunkett Ward
And was followed, as often as not,
By silence, knowing looks,
A nod and a wink, the Master’s droll
‘And where’s our little Ward-of-court?’
I remember the first time he came back
The Master had sent him out
Along the hedges
To weigh up for himself and cut
A stick with which he would be beaten.
After a while, nothing was spoken;
He would arrive as a matter of course
With an ash-plant, a salley-rod.
Or, finally, the hazel-wand
He had whittled down to a whip-lash,
Its twist of red and yellow lacquers
Sanded and polished,
And altogether so delicately wrought
That he had engraved his initials on it.
I last met Joseph Mary Plunkett Ward
In a pub just over the Irish border.
He was living in the open,
In a secret camp
On the other side of the mountain.
He was fighting for Ireland,
Making things happen.
And he told me, Joe Ward,
Of how he had risen through the ranks
To Quartermaster, Commandant:
How every morning at parade
His volunteers would call back Anseo
And raise their hands
As their names occurred.
We present this work in honor of the poet’s 130th birthday.
Jean Cocteau French 1889 – 1963
Grave mouths of lions
Sinuous smiling of young crocodiles
Along the river’s water conveying millions
Isles of spice
How lovely he is, the son
Of the widowed queen
And the sailor
The handsome sailor abandons a siren,
Her widow’s lament at the south of the islet
It’s Diana of the barracks yard
Too short a dream
Dawn and lanterns barely extinguished
We are awakening
A tattered fanfare
I wrote a good omelet… and ate
a hot poem… after loving you
Buttoned my car… and drove my
coat home…in the rain…
after loving you
I goed on red… and stopped on
green…floating somewhere in between…
being here and being there…
after loving you
I rolled my bed… turned down
my hair… slightly
confused but… I don’t care…
Laid out my teeth… and gargled my
gown… then I stood
…and laid me down…
To sleep…
after loving you