My father knows the proper way The nation should be run; He tells us children every day Just what should now be done. He knows the way to fix the trusts, He has a simple plan; But if the furnace needs repairs, We have to hire a man.
My father, in a day or two Could land big thieves in jail; There’s nothing that he cannot do, He knows no word like “fail.” “Our confidence” he would restore, Of that there is no doubt; But if there is a chair to mend, We have to send it out.
All public questions that arise, He settles on the spot; He waits not till the tumult dies, But grabs it while it’s hot. In matters of finance he can Tell Congress what to do; But, O, he finds it hard to meet His bills as they fall due.
It almost makes him sick to read The things law-makers say; Why, father’s just the man they need, He never goes astray. All wars he’d very quickly end, As fast as I can write it; But when a neighbor starts a fuss, ‘Tis mother has to fight it.
In conversation father can Do many wondrous things; He’s built upon a wiser plan Than presidents or kings. He knows the ins and outs of each And every deep transaction; We look to him for theories, But look to ma for action.
We present this work in honor of the poet’s 80th birthday.
Nikki Giovanni American b. 1943
Ever been kidnapped by a poet if i were a poet i’d kidnap you put you in my phrases and meter You to jones beach or maybe coney island or maybe just to my house lyric you in lilacs dash you in the rain blend into the beach to complement my see Play the lyre for you ode you with my love song anything to win you wrap you in the red Black green show you off to mama yeah if i were a poet i’d kid nap you
We present this work in honor of the poet’s 220th birthday.
Ralph Waldo Emerson American 1803 – 1882
It is time to be old, To take in sail:— The god of bounds, Who sets to seas a shore, Came to me in his fatal rounds, And said: “No more! No farther shoot Thy broad ambitious branches, and thy root. Fancy departs: no more invent; Contract thy firmament To compass of a tent. There’s not enough for this and that, Make thy option which of two; Economize the failing river, Not the less revere the Giver, Leave the many and hold the few. Timely wise accept the terms, Soften the fall with wary foot; A little while Still plan and smile, And,—fault of novel germs,— Mature the unfallen fruit. Curse, if thou wilt, thy sires, Bad husbands of their fires, Who, when they gave thee breath, Failed to bequeath The needful sinew stark as once, The Baresark marrow to thy bones, But left a legacy of ebbing veins, Inconstant heat and nerveless reins,— Amid the Muses, left thee deaf and dumb, Amid the gladiators, halt and numb.”
As the bird trims her to the gale, I trim myself to the storm of time, I man the rudder, reef the sail, Obey the voice at eve obeyed at prime: “Lowly faithful, banish fear, Right onward drive unharmed; The port, well worth the cruise, is near, And every wave is charmed.”
We present this work in honor of the poet’s 200th birthday.
Elizabeth Drew Stoddard American 1823 – 1902
Husband, today could you and I behold The sun that brought us to our bridal morn Rising so splendid in the winter sky (We though fair spring returned), when we were wed; Could the shades vanish from these fifteen years, Which stand like columns guarding the approach To that great temple of the double soul That is as one – would you turn back, my dear, And, for the sake of Love’s mysterious dream, As old as Adam and as sweet as Eve, Take me, as I took you, and once more go Towards that goal which none of us have reached? Contesting battles which but prove a loss, The victor vanquished by the wounded one; Teaching each other sacrifice of self, True immolation to the marriage bond; Learning the joys of birth, the woe of death, Leaving in chaos all the hopes of life— Heart-broken, yet with courage pressing on For fame and fortune, artists needing both? Or, would you rather – I will acquiesce— Since we must choose what is, and are grown gray, Stay in life’s desert, watch our setting sun, Calm as those statues in Egyptian sands, Hand clasping hand, with patience and with peace, Wait for a future which contains no past?
We present this work in honor of the poet’s 80th birthday.
Louise Glück American b. 1943
In the first version, Persephone is taken from her mother and the goddess of the earth punishes the earth—this is consistent with what we know of human behavior,
that human beings take profound satisfaction in doing harm, particularly unconscious harm:
we may call this negative creation.
Persephone’s initial sojourn in hell continues to be pawed over by scholars who dispute the sensations of the virgin:
did she cooperate in her rape, or was she drugged, violated against her will, as happens so often now to modern girls.
As is well known, the return of the beloved does not correct the loss of the beloved: Persephone
returns home stained with red juice like a character in Hawthorne—
I am not certain I will keep this word: is earth “home” to Persephone? Is she at home, conceivably, in the bed of the god? Is she at home nowhere? Is she a born wanderer, in other words an existential replica of her own mother, less hamstrung by ideas of causality?
You are allowed to like no one, you know. The characters are not people. They are aspects of a dilemma or conflict.
Three parts: just as the soul is divided, ego, superego, id. Likewise
the three levels of the known world, a kind of diagram that separates heaven from earth from hell.
You must ask yourself: where is it snowing?
White of forgetfulness, of desecration—
It is snowing on earth; the cold wind says
Persephone is having sex in hell. Unlike the rest of us, she doesn’t know what winter is, only that she is what causes it.
She is lying in the bed of Hades. What is in her mind? Is she afraid? Has something blotted out the idea of mind?
She does know the earth is run by mothers, this much is certain. She also knows she is not what is called a girl any longer. Regarding incarceration, she believes
she has been a prisoner since she has been a daughter.
The terrible reunions in store for her will take up the rest of her life. When the passion for expiation is chronic, fierce, you do not choose the way you live. You do not live; you are not allowed to die.
You drift between earth and death which seem, finally, strangely alike. Scholars tell us
that there is no point in knowing what you want when the forces contending over you could kill you.
White of forgetfulness, white of safety—
They say there is a rift in the human soul which was not constructed to belong entirely to life. Earth
asks us to deny this rift, a threat disguised as suggestion— as we have seen in the tale of Persephone which should be read
as an argument between the mother and the lover— the daughter is just meat.
When death confronts her, she has never seen the meadow without the daisies. Suddenly she is no longer singing her maidenly songs about her mother’s beauty and fecundity. Where the rift is, the break is.
Song of the earth, song of the mythic vision of eternal life—
My soul shattered with the strain of trying to belong to earth—
What will you do, when it is your turn in the field with the god?
We present this work in honor of the poet’s 100th birthday.
Louis Simpson American 1923 – 2012
A siren sang, and Europe turned away From the high castle and the shepherd’s crook. Three caravels went sailing to Cathay On the strange ocean, and the captains shook Their banners out across the Mexique Bay.
And in our early days we did the same. Remembering our fathers in their wreck We crossed the sea from Palos where they came And saw, enormous to the little deck, A shore in silence waiting for a name.
The treasures of Cathay were never found. In this America, this wilderness Where the axe echoes with a lonely sound, The generations labor to possess And grave by grave we civilize the ground.
We present this work in honor of the poet’s 25th birthday.
Amanda Gorman American b. 1998
The announcement Swung blunt as an axe-blow: All students were to leave Campus as soon as possible.
We think we cried, Our brains bleached blank. We were already trying to forget What we would live. What we would give.
Beware the ides of March. We recognized that something ran Rampant as a rumor Among our ranks. Cases bleeding closer, Like spillage in a napkin.
There is nothing more worrisome Than a titan who believes itself Separate from the world.
Graduation day. We don’t need a gown. We don’t need a stage. We are walking beside our ancestors, Their drums roar for us, Their feet stomp at our life. There is power in being robbed & still choosing to dance.
We present this work in honor of the 40th anniversary of the poet’s death.
Tennessee Williams American 1911 – 1983
I am tired. I am tired of speech and of action. If you should meet me upon the street do not question me for I can tell you only my name and the name of the town I was born in–but that is enough. It does not matter whether tomorrow arrives anymore. If there is only this night and after it is morning it will not matter now. I am tired. I am tired of speech and of action. In the heart of me you will find a tiny handful of dust. Take it and blow it out upon the wind. Let the wind have it and it will find its way home.
We present this work in honor of the poet’s 145th birthday.
Carl Sandburg American 1878 – 1967
Hog Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation’s Freight Handler; Stormy, husky, brawling, City of the Big Shoulders:
They tell me you are wicked and I believe them, for I have seen your painted women under the gas lamps luring the farm boys. And they tell me you are crooked and I answer: Yes, it is true I have seen the gunman kill and go free to kill again. And they tell me you are brutal and my reply is: On the faces of women and children I have seen the marks of wanton hunger. And having answered so I turn once more to those who sneer at this my city, and I give them back the sneer and say to them: Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning. Flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities; Fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness, Bareheaded, Shoveling, Wrecking, Planning, Building, breaking, rebuilding, Under the smoke, dust all over his mouth, laughing with white teeth, Under the terrible burden of destiny laughing as a young man laughs, Laughing even as an ignorant fighter laughs who has never lost a battle, Bragging and laughing that under his wrist is the pulse, and under his ribs the heart of the people, Laughing! Laughing the stormy, husky, brawling laughter of Youth, half-naked, sweating, proud to be Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.
Poets Corner 