We present this work in honor of the poet’s 120th birthday.
Eileen Shanahan Irish 1901 – 1979
I met three children on the road — The hawthorn trees were sweet with rain The hills had drawn their white blinds down — Three children on the road from town.
Their wealthy eyes in splendour mocked Their faded rags and bare wet feet, The King had sent his daughters out To play at peasants in the street.
I could not see the palace walls; The avenues were dumb with mist; Perhaps a queen would watch and weep For lips that she had borne and kissed —
And lost about the lonely world, With treasury of hair and eye The tigers of the world would spring, The merchants of the world would buy.
And one will sell her eyes for gold, And one will barter them for bread, And one will watch their glory fade Beside the looking-glass unwed.
A hundred years will softly pass, Yet on the Tipperary hills The shadows of a king and queen Will darken on the daffodils.
We present this work in honor of the poet’s 460th birthday.
Mary Sidney, Countess of Pembroke English 1561 – 1621
Ay me, to whom shall I my case complaine, That may compassion my impatient griefe! Or where shall I unfold my inward paine, That my enriven heart may find reliefe! Shall I unto the heavenly powres it show? Or unto earthly men that dwell below?
To heavens? ah they alas the authors were, And workers of my unremedied wo: For they foresee what to us happens here, And they foresaw, yet suffred this be so. From them comes good, from them comes also il That which they made, who can them warne to spill.
To men? ah, they alas like wretched bee, And subject to the heavens ordinance: Bound to abide what ever they decree, Their best redresse, is their best sufferance. How then can they like wretched comfort mee, The which no lesse, need comforted to bee?
Then to my selfe will I my sorrow mourne, Sith none alive like sorrowfull remaines: And to my selfe my plaints shall back retourne, To pay their usury with doubled paines. The woods, the hills, the rivers shall resound The mournfull accent of my sorrowes ground.
Woods, hills and rivers, now are desolate, Sith he is gone the which them all did grace: And all the fields do waile their widow state, Sith death their fairest flowre did late deface. The fairest flowre in field that ever grew, Was Astrophel: that was, we all may rew.
What cruell hand of cursed foe unknowne, Hath cropt the stalke which bore so faire a flowre? Untimely cropt, before it well were growne, And cleane defaced in untimely howre. Great losse to all that ever him did see, Great losse to all, but greatest losse to mee.
Breake now your gyrlonds, O ye shepheards lasses, Sith the faire flowre, which them adornd, is gon: The flowre, which them adornd, is gone to ashes, Never againe let lasse put gyrlond on: In stead of gyrlond, weare sad Cypres nowe, And bitter Elder, broken from the bowe.
Ne ever sing the love-layes which he made, Who ever made such layes of love as hee? Ne ever read the riddles, which he sayd Unto your selves, to make you mery glee. Your mery glee is now laid all abed, Your mery maker now alasse is dead.
Death, the devourer of all worlds delight, Hath robbed you and reft from me my joy: Both you and me, and all the world he quight Hath robd of joyance, and left sad annoy. Joy of the world, and shepheards pride was hee, Shepheards hope never like againe to see.
Oh death that hast us of such riches reft, Tell us at least, what hast thou with it done? What is become of him whose flowre here left Is but the shadow of his likenesse gone. Scarse like the shadow of that which he was, Nought like, but that he like a shade did pas.
But that immortall spirit, which was deckt With all the dowries of celestiall grace: By soveraine choyce from th’ hevenly quires select, And lineally deriv’d from Angels race, O what is now of it become aread, Ay me, can so divine a thing be dead?
Ah no: it is not dead, ne can it die, But lives for aie, in blisfull Paradisse: Where like a new-borne babe it soft doth lie, In beds of lillies wrapt in tender wise. And compast all about with roses sweet, And daintie violets from head to feet.
There thousand birds all of celestiall brood, To him do sweetly caroll day and night: And with straunge notes, of him well understood, Lull him asleepe in Angel-like delight: Whilest in sweet dreame to him presented bee Immortall beauties, which no eye may see.
But he them sees and takes exceeding pleasure Of their divine aspects, appearing plaine, And kindling love in him above all measure, Sweet love still joyous, never feeling paine. For what so goodly forme he there doth see, He may enjoy from jealous rancor free.
There liveth he in everlasting blis, Sweet spirit never fearing more to die: Ne dreading harme from any foes of his, Ne fearing salvage beasts more crueltie. Whilest we here wretches waile his private lack, And with vain vowes do often call him back.
But live thou there still happie, happie spirit, And give us leave thee here thus to lament: Not thee that doest thy heavens joy inherit, But our owne selves that here in dole are drent. Thus do we weep and waile, and wear our eies, Mourning in others, our owne miseries.
Which when she ended had, another swaine Of gentle wit and daintie sweet device, Whom Astrophel full deare did entertaine, Whilest here he liv’d, and held in passing price, Hight Thestylis, began his mournfull tourne; And made the Muses in his song to mourne.
And after him full many other moe, As everie one in order lov’d him best, Gan dight themselves t’ expresse their inward woe, With dolefull layes unto the time addrest: The which I here in order will rehearse, As fittest flowres to deck his mournfull hearse.
We present this work in honor of the poet’s 70th birthday.
Catherine Obianuju Acholonu Nigerian 1951 – 2013
I
Our hands grope in vain the springs have dried up leaving us with salt water and we remember the days when the hooting of the owl sanctified our mortality
we stand paralyzed like skeletons mounted on the sandy soil struggling against the dry wind blowing sand into our eyes which have since ceased to see
footprints of blessed ages past deeply backed on to the soil show the way to the horizon and beyond but we cannot reach it you and I
our kisses bite like grains of sand in the eye then our bodies touch like two scaly fish we stand paralyzed like two accursed.
II
We plunge ourselves into the abyss mindless of the outcome our blind eyes surveying the darkness and in the labyrinths we grope and sniff for signs of our brothers in the catacombs at the gate we present our printed tickets decaying lips toothless gums cracking laughter
shameless folk that seek entrance into the land of their fathers you cannot partake of the coummunion without you ofo without your chi
and we are back at the cross-roads dreading once more to cross the horizon having she our outer shell.
III
Contact telegraphic our sons speak a foreign language devoid of feeling devoid of meaning
what choice have we but to take refuge in obganje passing excrement into the mouths of our daughters our ever mourning mothers
home again and yet homeless a dreary failure for a nameless folk.
I invented time to say your name. Because my voice wanted it, there were violets in summer and wisteria in autumn. I was the one who shaped the space to make room for your shadow. And because my eyes asked for it the sky changed its tone. Undoubtedly, I am the owner of everything.
Hence Cupid! with your cheating toys, Your real griefs, and painted joys, Your pleasure which itself destroys. Lovers like men in fevers burn and rave, And only what will injure them do crave. Men’s weakness makes love so severe, They give him power by their fear,
And make the shackles which they wear. Who to another does his heart submit, Makes his own idol, and then worships it. Him whose heart is all his own, Peace and liberty does crown, He apprehends no killing frown. He feels no raptures which are joys diseased, And is not much transported, but still pleased.
Apart from my sisters, estranged from my mother, I am a woman alone in a house of men who secretly call themselves princes, alone with me usually, under cover of dark. I am the one allowed in
to the royal chambers, whose small foot conveniently fills the slipper of glass. The woman writer, the lady umpire, the madam chairman, anyone’s wife. I know what I know. And I once was glad
of the chance to use it, even alone in a strange castle doing overtime on my own, cracking the royal code. The princes spoke in their father’s language, were eager to praise me my nimble tongue. I am a woman in a state of siege, alone
as one piece of laundry, strung on a windy clothesline a mile long. A woman co-opted by promises: the lure of a job, the ruse of a choice, a woman forced to bear witness, falsely against my own kind, as each other sister was judge inadequate, bitchy, incompetent, jealous, too thin, too fat. I know what I know. What sweet bread I make
for myself in this prosperous house is dirty, what good soup I boil turns in my mouth to mud. Give me my ashes. A cold stove, a cinder-block pillow, wet canvas shoes in my sisters’, my sisters’ hut. Or I swear
I’ll die young like those favored before me, hand-picked each one For her joyful heart.
I will die mortal, that is to say having passed through this world without breaking or staining it. I didn’t invent a single vice, but I tasted all the virtues: I leased my soul to hypocrisy: I have trafficked with words, with signs, with silence; I surrendered to the lie: I have hoped for hope, I have loved love, and one day I even pronounced the words My Country; I accepted the hoax: I have been mother, citizen, daughter, friend, companion, lover; I believed in the truth: two and two are four, María Mercedes ought to be born, ought to grow, reproduce herself and die and that’s what I’m doing. I am the sampler of the 20th century. And when fear arrives I go to watch television to have a dialogue with my lies.