You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.
We present this work in honor of the poet’s 100th birthday.
Oodgeroo Noonuccal Australian 1920 – 1993
My father was Noonuccal man and kept old tribal way,
His totem was the Carpet Snake, whom none must ever slay;
But mother was of Peewee clan, and loudly she expressed
The daring view that carpet snakes were nothing but a pest.
Now one lived inside with us in full immunity,
For no one dared to interfere with father’s stern decree:
A mighty fellow ten feet long, and as we lay in bed
We kids could watch him round a beam not far above our head.
Only the dog was scared of him, we’d hear its whines and growls,
But mother fiercely hated him because he took her fowls.
You should have heard her diatribes that flowed in angry torrents,
With words you’d never see in print, except in D.H. Lawrence.
“I kill that robber,” she would scream, fierce as a spotted cat;
“You see that bulge inside of him? My speckly hen make that!”
But father’s loud and strict command made even mother quake;
I think he’d sooner kill a man than kill a carpet snake.
That reptile was a greedy guts, and as each bulge digested
He’d come down on the hunt at night, as appetite suggested.
We heard his stealthy slithering sound across the earthen floor,
While the dog gave a startled yelp and bolted out the door.
Then over in the chicken-yard hysterical fowls gave tongue,
Loud frantic squawks accompanied by the barking of the mung,
Until at last the racket passed, and then to solve the riddle,
Next morning he was back up there with a new bulge in his middle.
When father died we wailed and cried, our grief was deep and sore,
And strange to say from that sad day the snake was seen no more.
The wise old men explained to us: “It was his tribal brother,
And that is why it done a guy” – but some looked hard at mother.
She seemed to have a secret smile, her eyes were smug and wary,
She looked about as innocent as the cat that ate the pet canary.
We never knew, but anyhow (to end this tragic rhyme)
I think we all had snake for tea one day about that time.
Human life is an endless struggle
The post-horse and plow-ox.
On the brows of the Daoist sadness never grows:
Quietly holding a book of immortality, seated by the window,
What else is there to seek?
Prospects disappear, far, far away,
Months and years are hard to detain.
In a hundred years’ time everyone will be a pat of mud,
So arrange a firm and safe place in your own mind
And let the boat float with the stream.
We present this work in honor of the 175th anniversary of the poet’s death.
Carolina Oliphant Scots 1766 – 1845
The laird o’ Cockpen, he’s proud an’ he’s great,
His mind is ta’en up wi’ things o’ the State;
He wanted a wife, his braw house to keep,
But favour wi’ wooin’ was fashious to seek.
Down by the dyke-side a lady did dwell,
At his table head he thought she’d look well,
McClish’s ae daughter o’ Claversha’ Lee,
A penniless lass wi’ a lang pedigree.
His wig was weel pouther’d and as gude as new,
His waistcoat was white, his coat it was blue;
He put on a ring, a sword, and cock’d hat,
And wha could refuse the laird wi’ a’ that?
He took the grey mare, and rade cannily,
An’ rapp’d at the yett o’ Claversha’ Lee;
‘Gae tell Mistress Jean to come speedily ben,
She’s wanted to speak to the Laird o’ Cockpen’.
Mistress Jean was makin’ the elderflower wine;
‘An’ what brings the laird at sic a like time?’
She put aff her apron, and on her silk gown,
Her mutch wi’ red ribbons, and gaed awa’ down.
An’ when she cam’ ben, he bowed fu’ low,
An’ what was his errand he soon let her know;
Amazed was the laird when the lady said ‘Na’,
And wi’ a laigh curtsie she turned awa’.
Dumfounder’d was he, nae sigh did he gie,
He mounted his mare – he rade cannily;
An’ aften he thought, as he gaed through the glen,
She’s daft to refuse the Laird o’ Cockpen.
And now that the laird his exit had made,
Mistress Jean she reflected on what she had said;
‘Oh, for ane I’ll get better, it’s waur I’ll get ten,
I was daft to refuse the Laird o’ Cockpen’.
Next time that the laird and the lady was seen,
They were gaun arm-in-arm to the kirk on the green;
Now she sits in the ha’ like a weel-tappit hen,
But as yet there’s nae chickens appear’d at Cockpen.
I only sing because you loved me
in the past years.
And in sun, in summer’s prediction
and in rain and snow,
I only sing because you loved me.
Only because you held me in your arms
one night and you kissed my lips,
only for this I’m beautiful as wide open lily
and I still have a shiver in my soul,
only because you held me in your arms.
Only because your eyes looked at me
with the soul in the glance,
proudly I dressed the supreme
crown of my existence,
only because your eyes looked at me.
Only because as I was passing you noticed me
and from your glance I saw to pass
my lissome shadow as a dream
to play, to suffer,
only because as I was passing you noticed me
Because you called me shyly
and you reached after my hand
and you had in your eyes the blurring
– a complete love,
because you called me shyly.
Because, it liked only to you
that’s why my passing remained beautiful.
It was like you were following me where I was
as if you were passing somewhere close to me.
Because it liked only to you.
I was born only because you loved me,
my life was given for this.
In the graceless, unfulfilled life
my life was fulfilled.
I was born only because you loved me.
Only for your unique love
dawn gave to my hands roses.
So that I light your way for a moment
night filled my eyes with stars,
only for your unique love.
Only because you loved me so well
I lived in order to increase
your dreams, beautiful man that you set
and thus sweetly I die
only because you loved me so well.
Never, never again?
Not on nights filled with quivering stars,
or during dawn’s maiden brightness
or afternoons of sacrifice?
Or at the edge of a pale path
that encircles the farmlands,
or upon the rim of a trembling fountain,
whitened by a shimmering moon?
Or beneath the forest’s
luxuriant, raveled tresses
where, calling his name,
I was overtaken by the night?
Not in the grotto that returns
the echo of my cry?
Oh no. To see him again —
it would not matter where —
in heaven’s deadwater
or inside the boiling vortex,
under serene moons or in bloodless fright!
To be with him…
every springtime and winter,
united in one anguished knot
around his bloody neck!
We present this work in honor of the 70th anniversary of the poet’s death.
Edna St. Vincent Millay American 1892 – 1950
Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution’s power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It well may be. I do not think I would.
After they’ve fed off of your memories
Erased dreams from your eyes
Broken the seams of sanity
And glued what’s left together with lies,
After the choices and voices have left you alone
And silence grows solid
Adhering like flesh to your bones
They’ve always known your spirit’s home
Lay in your gentle sway
To light and substance
But jaded mirrors and false prophets have a way
Of removing you from yourself
You who lives with seven names
You who walks with seven faces
None can eliminate your pain
Tell your story
Let it nourish you,
Sustain you
And claim you
Tell your story
Let it feed you,
Heal you
And release you
Tell your story
Let it twist and remix your shattered heart
Tell your story
Until your past stops tearing your present apart