There was a man, – don’t mind his name,
Whom Fear had dogged by night and day.
He could not face the German guns
And so he turned and ran away.
Just that – he turned and ran away,
But who can judge him, you or I ?
God makes a man of flesh and blood
Who yearns to live and not to die.
In a mean abode on the Skankill Road
Lived a man named William Bloat;
He had a wife, the curse of his life,
Who continually got his goat.
So one day at dawn, with her nightdress on
He cut her bloody throat.
With a razor gash he settled her hash
Oh never was crime so quick
But the drip drip drip on the pillowslip ‘
Of her lifeblood made him sick.
And the pool of gore on the bedroom floor
Grew clotted and cold and thick.
And yet he was glad he had done what he had
When she lay there stiff and still
But a sudden awe of the angry law
Struck his heart with an icy chill.
So to finish the fun so well begun
He resolved himself to kill.
He took the sheet from the wife’s coul’ feet
And twisted it into a rope
And he hanged himself from the pantry shelf,
‘Twas an easy end, let’s hope.
In the face of death with his latest breath
He said “To Hell with the Pope.”
But the strangest turn to the whole concern
Is only just beginning.
He went to Hell but his wife got well
And she’s still alive and sinning.
For the razor blade was German made
But the sheet was Belfast linen.
When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
1.There’s some idea at the back of her mind she just can’t put into words. ‘That young fellow out there—I don’t seem to be able to recall his name—he’s—he’s— (a small break here while her hand shakes) he’s in a dark place.’
2. Who does she mean? My son? My husband? Or some other member of the family? Or is she, at some other level, referring to herself?
3. She was always deep.
But now she seems to be talking up to us
from a bottomless well.
The pockets of our greatcoats full of barley…
No kitchens on the run, no striking camp…
We moved quick and sudden in our own country.
The priest lay behind ditches with the tramp.
A people hardly marching… on the hike…
We found new tactics happening each day:
We’d cut through reins and rider with the pike
And stampede cattle into infantry,
Then retreat through hedges where cavalry must be thrown.
Until… on Vinegar Hill… the final conclave.
Terraced thousands died, shaking scythes at cannon.
The hillside blushed, soaked in our broken wave.
They buried us without shroud or coffin
And in August… the barley grew up out of our grave.
We present this work in honor of the poet’s 140th birthday.
Seamus O’Sullivan Irish 1879 – 1958
A Piper in the streets today
Set up, and tuned, and started to play,
And away, away, away on the tide
Of his music we started; on every side
Doors and windows were opened wide,
And men left down their work and came,
And women with petticoats coloured like flame.
And little bare feet that were blue with cold,
Went dancing back to the age of gold,
And all the world went gay, went gay,
For half an hour in the street today.