At the Feast

We present this work in honor of the 100th anniversary of the poet’s death.

08-26 Gumilyov
Nikolay Gumilyov
Russian
1886 – 1921

 

There’s Prince Diego, falling in a love,
He dozed and he laid his head midst table’s stuff,
He lost his goblet, cast from silver’s milk,
And freed his jacket of a crimson silk.

And he is seeing the transparent stream,
And on the stream — the boat white as steam,
In which the trip, a lot of time ago,
His bride and he had had to undergo.

Space after space immediately springs
And, like two looks, burn two amazing rings;
But now sacred isles are seen in haze,
Where will resound the mysterious phrase,
And where, in wreaths of roses, at last,
They will be married by the Jesus Christ.

But at that time, the king has laid on him
The heavy look, where evil mixed with whim,
And jokers are adjusting to his heart,
The reddish pieces — flowers of blood,
And sexy bride with moderated rage,
Is kissing the impudent, lustful page.

 

Translation by Yevgeny Bonver

Aspiring Miss Delaine

We present this work in honor of the poet’s 185th birthday.

08-25 Harte
Bret Harte
American
1836 – 1902

 

(a chemical narrative)

Certain facts which serve to explain
The physical charms of Miss Addie De Laine,
Who, as the common reports obtain,
Surpassed in complexion the lily and rose;
With a very sweet mouth and a retrousse nose;
A figure like Hebe’s, or that which revolves
In a milliner’s window, and partially solves
That question which mentor and moralist pains,
If grace may exist minus feeling or brains.

Of course the young lady had beaux by the score,
All that she wanted,—what girl could ask more?
Lovers that sighed and lovers that swore,
Lovers that danced and lovers that played,
Men of profession, of leisure, and trade;
But one, who was destined to take the high part
Of holding that mythical treasure, her heart,—
This lover, the wonder and envy of town,
Was a practicing chemist, a fellow called Brown.

I might here remark that ‘twas doubted by many,
In regard to the heart, if Miss Addie had any;
But no one could look in that eloquent face,
With its exquisite outline and features of grace,
And mark, through the transparent skin, how the tide
Ebbed and flowed at the impulse of passion or pride,—
None could look, who believed in the blood’s circulation
As argued by Harvey, but saw confirmation
That here, at least, Nature had triumphed o’er art,
And as far as complexion went she had a heart.

But this par parenthesis. Brown was the man
Preferred of all others to carry her fan,
Hook her glove, drape her shawl, and do all that a belle
May demand of the lover she wants to treat well.
Folks wondered and stared that a fellow called Brown—
Abstracted and solemn, in manner a clown,
Ill dressed, with a lingering smell of the shop—
Should appear as her escort at party or hop.
Some swore he had cooked up some villainous charm,
Or love philter, not in the regular Pharm-
Acopoeia, and thus, from pure malice prepense,
Had bewitched and bamboozled the young lady’s sense;
Others thought, with more reason, the secret to lie
In a magical wash or indelible dye;
While Society, with its censorious eye
And judgment impartial, stood ready to damn
What wasn’t improper as being a sham.

For a fortnight the townfolk had all been agog
With a party, the finest the season had seen,
To be given in honor of Miss Pollywog,
Who was just coming out as a belle of sixteen.
The guests were invited; but one night before
A carriage drew up at the modest back door
Of Brown’s lab’ratory, and, full in the glare
Of a big purple bottle, some closely veiled fair
Alighted and entered: to make matters plain,
Spite of veils and disguises, ‘twas Addie De Laine.

As a bower for true love, ‘twas hardly the one
That a lady would choose to be wooed in or won:
No odor of rose or sweet jessamine’s sigh
Breathed a fragrance to hallow their pledge of troth by,
Nor the balm that exhales from the odorous thyme;
But the gaseous effusions of chloride of lime,
And salts, which your chemist delights to explain
As the base of the smell of the rose and the drain.
Think of this, O ye lovers of sweetness! and know
What you smell when you snuff up Lubin or Pinaud.

I pass by the greetings, the transports and bliss,
Which of course duly followed a meeting like this,
And come down to business,—for such the intent
Of the lady who now o’er the crucible leant,
In the glow of a furnace of carbon and lime,
Like a fairy called up in the new pantomime,—
And give but her words, as she coyly looked down
In reply to the questioning glances of Brown:
‘I am taking the drops, and am using the paste,
And the little white powders that had a sweet taste,
Which you told me would brighten the glance of my eye,
And the depilatory, and also the dye,
And I’m charmed with the trial; and now, my dear Brown,
I have one other favor,—now, ducky, don’t frown,—
Only one, for a chemist and genius like you
But a trifle, and one you can easily do.
Now listen: to-morrow, you know, is the night
Of the birthday soiree of that Pollywog fright;
And I’m to be there, and the dress I shall wear
Is too lovely; but’— ‘But what then, ma chere?’
Said Brown, as the lady came to a full stop,
And glanced round the shelves of the little back shop.
‘Well, I want—I want something to fill out the skirt
To the proper dimensions, without being girt
In a stiff crinoline, or caged in a hoop
That shows through one’s skirt like the bars of a coop;
Something light, that a lady may waltz in, or polk,
With a freedom that none but you masculine folk
Ever know. For, however poor woman aspires,
She’s always bound down to the earth by these wires.
Are you listening? Nonsense! don’t stare like a spoon,
Idiotic; some light thing, and spacious, and soon—
Something like—well, in fact—something like a balloon!’

Here she paused; and here Brown, overcome by surprise,
Gave a doubting assent with still wondering eyes,
And the lady departed. But just at the door
Something happened,—’tis true, it had happened before
In this sanctum of science,—a sibilant sound,
Like some element just from its trammels unbound,
Or two substances that their affinities found.

The night of the anxiously looked for soiree
Had come, with its fair ones in gorgeous array;
With the rattle of wheels and the tinkle of bells,
And the ‘How do ye do’s’ and the ‘Hope you are well’s;’
And the crush in the passage, and last lingering look
You give as you hang your best hat on the hook;
The rush of hot air as the door opens wide;
And your entry,—that blending of self-possessed pride
And humility shown in your perfect-bred stare
At the folk, as if wondering how they got there;
With other tricks worthy of Vanity Fair.
Meanwhile, the safe topic, the beat of the room,
Already was losing its freshness and bloom;
Young people were yawning, and wondering when
The dance would come off; and why didn’t it then:
When a vague expectation was thrilling the crowd,
Lo! the door swung its hinges with utterance proud!
And Pompey announced, with a trumpet-like strain,
The entrance of Brown and Miss Addie De Laine.

She entered; but oh! how imperfect the verb
To express to the senses her movement superb!
To say that she ‘sailed in’ more clearly might tell
Her grace in its buoyant and billowy swell.
Her robe was a vague circumambient space,
With shadowy boundaries made of point-lace;
The rest was but guesswork, and well might defy
The power of critical feminine eye
To define or describe: ‘twere as futile to try
The gossamer web of the cirrus to trace,
Floating far in the blue of a warm summer sky.

‘Midst the humming of praises and glances of beaux
That greet our fair maiden wherever she goes,
Brown slipped like a shadow, grim, silent, and black,
With a look of anxiety, close in her track.
Once he whispered aside in her delicate ear
A sentence of warning,—it might be of fear:
‘Don’t stand in a draught, if you value your life.’
(Nothing more,—such advice might be given your wife
Or your sweetheart, in times of bronchitis and cough,
Without mystery, romance, or frivolous scoff.)
But hark to the music; the dance has begun.
The closely draped windows wide open are flung;
The notes of the piccolo, joyous and light,
Like bubbles burst forth on the warm summer night.
Round about go the dancers; in circles they fly;
Trip, trip, go their feet as their skirts eddy by;
And swifter and lighter, but somewhat too plain,
Whisks the fair circumvolving Miss Addie De Laine.
Taglioni and Cerito well might have pined
For the vigor and ease that her movements combined;
E’en Rigelboche never flung higher her robe
In the naughtiest city that’s known on the globe.
‘Twas amazing, ‘twas scandalous; lost in surprise,
Some opened their mouths, and a few shut their eyes.

But hark! At the moment Miss Addie De Laine,
Circling round at the outer edge of an ellipse
Which brought her fair form to the window again,
From the arms of her partner incautiously slips!
And a shriek fills the air, and the music is still,
And the crowd gather round where her partner forlorn
Still frenziedly points from the wide window-sill
Into space and the night; for Miss Addie was gone!
Gone like the bubble that bursts in the sun;
Gone like the grain when the reaper is done;
Gone like the dew on the fresh morning grass;
Gone without parting farewell; and alas!
Gone with a flavor of hydrogen gas!

When the weather is pleasant, you frequently meet
A white-headed man slowly pacing the street;
His trembling hand shading his lack-lustre eye,
Half blind with continually scanning the sky.
Rumor points him as some astronomical sage,
Re-perusing by day the celestial page;
But the reader, sagacious, will recognize Brown,
Trying vainly to conjure his lost sweetheart down,
And learn the stern moral this story must teach,
That Genius may lift its love out of its reach.

Delight in Disorder

We present this work in honor of the poet’s 430th birthday.

08-24 Herrick
Robert Herrick
English
1591 – 1674

 

A sweet disorder in the dress
Kindles in clothes a wantonness;
A lawn about the shoulders thrown
Into a fine distraction;
An erring lace, which here and there
Enthrals the crimson stomacher;
A cuff neglectful, and thereby
Ribands to flow confusedly;
A winning wave, deserving note,
In the tempestuous petticoat;
A careless shoe-string, in whose tie
I see a wild civility:
Do more bewitch me, than when art
Is too precise in every part.

Maxims

08-22 Ajiba
Ahmad Ibn Ajiba
Moroccan
1747 – 1809

 

If one did not stop in the shadows of things,
the heart would be illuminated by the sun of gnosis.

If it were not for shackles and obstacles,
the suns of realities would be seen to shine.

If there were neither individual will nor free will,
the shadow of otherness would withdraw from the heart.

If there were not passions and desires,
aspirations would become real in less than the wink of an eye.

If there were not bad tendencies and defects,
invisible secrets would make themselves manifest.

Without the struggle with oneself,
the secret of the elect would not appear.

Without the company of true men,
no one knows how to distinguish imperfection from perfection.

Without the company of the great,
the hearts and their depths cannot be purified.

Without the service of true men,
no one can reach the degrees of perfection.

 

Translation by David Streight

Growing Old

We present this work in honor of National Senior Citizens Day.

08-21 Arnold
Matthew Arnold
English
1822 – 1888

 

What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
Yes, but not for this alone.

Is it to feel our strength –
Not our bloom only, but our strength – decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more weakly strung?

Yes, this, and more! but not,
Ah, ‘tis not what in youth we dreamed ‘twould be!
‘Tis not to have our life
Mellowed and softened as with sunset-glow,
A golden day’s decline!

‘Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirred;
And weep, and feel the fulness of the past,
The years that are no more!

It is to spend long days
And not once feel that we were ever young.
It is to add, immured
In the hot prison of the present, month
To month with weary pain.

It is to suffer this,
And feel but half, and feebly, what we feel:
Deep in our hidden heart
Festers the dull remembrance of a change,
But no emotion -none.

It is – last stage of all –
When we are frozen up within, and quite
The phantom of ourselves,
To hear the world applaud the hollow ghost
Which blamed the living man.

Champ de Mars, 1914

We present this work in honor of the 95th anniversary of the poet’s death.

Robert Stanley Weir
Canadian
1856 – 1926

Unscathed as yet by battle-scars,
Trampling the sad December’s snow,
The Khaki lads on Champ de Mars
Are girding for the distant foe.
East with a dream comes marching by;
Each all aflame for England’s fight.
But O presaging heart, say why
That sound of weeping in the night?

The Duke came down one frosty day
And walked between the khaki ranks.
Full grave his look. We heard him say:
“Soldiers, the Empire gives you thanks.
Love live the King! Our foes shall learn
You stand with Him for simple right;
And may God grant you safe return.”
But still that sound all through the night!

O, marching from the Camp de Mars
They cross the seas; they storm the trench,
Fighting beneath the troubled stars
With Belgians brave and valiant French;
Fighting, till victory austere,
Shall crush the Great Betrayer’s might.
But O my beating heart, dost hear

That sound of weeping in the night?

Happy the Man

We present this work in honor of the poet’s 390th birthday.

John Dryden
English
1631 – 1700

Happy the man, and happy he alone,
He who can call today his own:
He who, secure within, can say,
Tomorrow do thy worst, for I have lived today.
Be fair or foul or rain or shine
The joys I have possessed, in spite of fate, are mine.
Not Heaven itself upon the past has power,
But what has been, has been, and I have had my hour.

Tropes

We present this work in honor of the poet’s 130th birthday.

Oliverio Girondo
Argentine
1891 – 1967

 

I play
I play pores
cables
keys
coves I play
on subjects of nerves
wharves
weavings that play upon me
scars
cinders
tropical bowels I play
only only
undertows
hangovers
heavy breathing
I play and moreplay
and nothing

Prefigures of absence
inconsistent tropes
what a you
what a what
what a flute
what loot
what hollows
what masks
what empty lonely reaches
what a yes what a no
what a yesno fate putting me out of tune
what reflexes reflect
what deeps
what wizard material
what keys
what nocturnal ingredients
what frozen shutters that do not open
what a nothing I play
wholely

 

Translation by Molly Weigel

from The Lay of the Last Minstrel

We present this work in honor of the poet’s 250th birthday.

Sir Walter Scott
Scots
1771 – 1832

Breathes there the man, with soul so dead,
Who never to himself hath said,
This is my own, my native land!
Whose heart hath ne’er within him burn’d,
As home his footsteps he hath turn’d
From wandering on a foreign strand!
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonour’d, and unsung.

Tiger and Elephant

We present this work in honor of World Elephant Day.

08-12 McIntyre
James McIntyre
Canadian
1828 – 1906

 

On Ganges banks roams the tiger,
And lion rules by the Niger,
Hunder heard shrill cry of peacocks,
In Indian jungles go in flocks.

And he saw tiger crouch and spring,
To crush a bird with beauteous wing,
But the tiger missed his aim,
And he hung his head with shame.

Then there came a mighty crush,
Of elephants rush through the bush,
The tiger cat-like crouched on ground,
And elephants rushed in with bound.

In front was baby elephant,
To crush its bones did tiger want,
But mother saw fierce forest ranger,
And she gave a cry of danger.

Leader of herd he madly rushed,
Resolved the tiger should be crushed,
But tiger strove to run away,
Willing to relinquish prey.

But when he found that he must fight,
On elephant’s back he strove to light,
But elephant struck him with his foot,
And then with tusks he did him root.

So now once more must praise be sung,
To beasts who nobly fight for young,
And grateful feelings were now stirred,
Towards the leader of the herd.