We present this work in honor of the 325th anniversary of the poet’s death.

Japanese
1644 – 1694
A monk sips morning tea,
it’s quiet,
the chrysanthemum’s flowering.
We present this work in honor of the 325th anniversary of the poet’s death.

A monk sips morning tea,
it’s quiet,
the chrysanthemum’s flowering.

I look for life in death,
for health in sickness,
for freedom in prison,
a way out from the impasse,
and loyalty in the Judas.
But my destiny, from which I would
never expect anything good,
has decreed with the Gods
that, since I ask for the impossible,
they won’t even give me the possible.

O white little lights at Carney’s Point,
You shine so clear o’er the Delaware;
When the moon rides high in the silver sky,
Then you gleam, white gems on the Delaware.
Diamond circlet on a full white throat,
You laugh your rays on a questioning boat;
Is it peace you dream in your flashing gleam,
O’er the quiet flow of the Delaware?
And the lights grew dim at the water’s brim,
For the smoke of the mills shredded slow between;
And the smoke was red, as is new bloodshed,
And the lights went lurid ‘neath the livid screen.
O red little lights at Carney’s Point,
You glower so grim o’er the Delaware;
When the moon hides low sombrous clouds below,
Then you glow like coals o’er the Delaware.
Blood red rubies on a throat of fire,
You flash through the dusk of a funeral pyre;
And there hearth fires red whom you fear and dread
O’er the turgid flow of the Delaware?
And the lights gleamed gold o’er the river cold,
For the murk of the furnace shed a copper veil;
And the veil was grim at the great cloud’s brim,
And the lights went molten, now hot, now pale.
O gold little lights at Carney’s Point,
You gleam so proud o’er the Delaware;
When the moon grows wan in the eastering dawn,
Then you sparkle gold points o’er the Delaware.
Aureate filagree on a Croesus’ brow,
You hasten the dawn on a gray ship’s prow.
Light you streams of gold in the grim ship’s hold
O’er the sullen flow of the Delaware?
And the lights went gray in the ash of day,
For a quiet Aurora brought a halcyon balm;
And the sun laughed high in the infinite sky,
And the lights were forgot in the sweet, sane calm.

Would I the lofty spirit melt
Of that proud dame who dwells so high,
Kind heaven must aid me, or unfelt
By her will be its agony.
Joy in my soul no place can find:
As well might I a suitor be
To thunderbolts, as hope her mind
Will turn in softer mood to me.
Those cheeks are beautiful, are bright
As the red rose with dewdrops grac’d;
And faultless is the lovely light
Of those dear eyes, that, on me plac’d,
Pierce to my very heart, and fill
My soul with love’s consuming fires,
While passion burns and reigns at will;
So deep the love that fair inspires!
But joy upon her beauteous form
Attends, her hues so bright to shed
O’er those red lips, before whose warm
And beaming smile all care is fled.
She is to me all light and joy,
I faint, I die, before her frown;
Even Venus, liv’d she yet on earth,
A fairer goddess here must own…
While many mourn the vanish’d light
Of summer, and the sweet sun’s face
I mourn that these, however bright,
No anguish from the soul can chase
By love inflicted: all around,
Nor song of birds, nor ladies’ bloom,
Nor flowers upspringing from the ground,
Can chase or cheer the spirits’ gloom…
Yet still thine aid, belov’d! impart,
Of all thy power, thy love, make trial;
Bid joy revive in thise sad heart,
Joy that expires at thy denial:
Well may I pour my prayer to thee,
Beloved lady, since ‘tis thine
Alone to send such care on me;
Alone for thee I ceaseless pine.

Before I cast anchor in the treasure
Of my last love, I have need
To course the world, fevered as a racer —
In my pockets, youth
And a golden seed
And to embrace a serpent of the Nile
Such as the chlamys of Cleopatra hid,
And to hearken to the quiet soliloquy
Of the Virgin Mary in the pyramid
To disembark in my native land,
To make myself a child and childlike trace
On my old school slate, in crayon,
The profile of a Guadalupean face —
To kiss like the Hindoos or the Polynesians,
Like the striped wood beasts or shaggy bears.
And to cast anchor by a countrywoman of mine,
Wearing long earrings in her small ears.
And to say to Love — of all my sins
Even the blackest were passionate lovers.
Out of my cloisters a miserere rises up
And moves toward you with the steps of a baby,
Or as the white island of bubble hovers
On the surface of a coffee cup.
And, since my five fierce fingers of sense
Grasp the five great continents,
I can, O last love and ultimate goal,
Place my hand upon your Guadalupean soul.
In honor of the Japanese holiday, Labor Thanksgiving Day, we present this work by one of the nation’s most prolific poets.

The shade of sooty quince
The bloom of dusty roses
——And beyond that
A fence of metal wire entwined with vines
Of spiderwort or knotgrass perhaps?
There tossed among the plants
Reclining in a weather-worn wooden armchair
Hands folded at his abdomen like a dead man
Who could he be this man who looks as if
He was washed here from some distant world?
This man is a decrepit adolescent a broken angel
Swept here by the ark of dreams a boat in the shape of a box
When was that? Yesterday or a hundred years ago?
The world to which this man really belongs is not here
The world to which this man really belongs
Is far away through the fissures of dream
Guarded by sensible, steadfast parents
This man wearing a starched collar is a clever boy
He has two beautiful younger sisters
And a younger brother with an upright spirit
This family of angels with wings hidden under their fancy dress
Is enveloped in golden happiness
That world of distant memories
Is like a box floating in a galaxy of tears
One morning suddenly that box-shaped boat ran ashore
In the doorway to that timeless world of happiness
When was that? A second or a hundred million years ago?
Dreams are always nightmares interlopers with foul intent
Drawn by death the father was pulled backward
And the rest of the family were dragged quickly away
It was here they disembarked the backyard of a sickly city
Here not even angels could escape human fate
The mother grew ill from anxiety the sisters grew thin
And wrinkles spread across the brother’s spotless soul
In this false world perched atop the scales
This man was the quiet, noble head of the household
Working harder growing old faster than everyone else
But that was not the reality of who he was
His real self is hidden under the disguise of an old man
Strewn across his chair seated like a corpse
He inhales the blue-green seas of his own world of reality
Watches clouds trailing behind airplanes over the sea
And pricks up his ears to overhear the daytime dialogue of the stars
This man suddenly stands from his chair
And slowly descends through the fallen leaves
Underground he finds his own private box-like world
With objects neatly stored in shelves and drawers
Candy boxes pill boxes candle boxes
Cut-outs from old images musical scores lost wooden blocks
Shells brass rings sky blue marbles
Cracked glasses soap bubble sets——
These too are fragments of the real world
Drifted here through the fissures of dream
This man gives himself plenty of time
How long? One week or thirty years?
He chooses the fragments then puts them together
In just the right place in just the right box
While the faint reflection of the golden happiness
Belonging to the real world so far away
Turns into pale afternoon sunlight and falls
Upon his deftly moving fingers
Is this man no longer at his chair in the garden?
Is he no longer at his basement table?
If he is nowhere to be found
This man must never have been here at all
What we thought we saw was nothing more
Than the shadow of his real self
His shadowy eyelashes drawing the bow of vision toward the real world
His shadowy hands caressing the flotsam from the real world
It is not for us to lament his absence
Like little birds we should descend into the garden to bathe as usual
And play on his basement window like light
Then what about these boxes?
The objects captured inside the princesses
The ballerinas the rabbit princes
The parrots the honeybees the butterflies
Does this man lodge inside them
Borrowing the forms of these ephemeral creatures?
Like the garden and basement these boxes are also
Cheap hotel rooms inhabited briefly by this man’s shadow
It swings upon the roost pours some sand
Creates nimble cracks across the panes of glass
And then vanishes
The destination for his shadow is the real world
These wistfully nostalgic boxes before us are
The frames around the well through which
We peer into that world and are drawn in
We present this work in honor of the 225th anniversary of the poet’s death.

If your lass is coquettish and frisky,
Make up to her easy and briskly;
If she frown on ye, turn on your heel,
Make love to another, your heart to recover;
You’ll quickly discover she would keep you her lover,
Tho’ her heart be as hard as the steel.
She will try all her tricks to entice ye,
Sometimes sweet, sometimes sour, sometimes spicy;
Affect all these humours yourself,
See that ye vex her, be sure to perplex her,
Provoke her and coax her, roast her and toast her,
She’s as sure in your pouch as your pelf.
If your lassie is modest and shy,
Watch every cast of her eye;
If she blushes, she’s halflings your own;
Approach by degrees, her hand ye may seize,
And give it a squeeze, then down on your knees,
And prefer her to kings, or their crown.
If she answer you no way but flying,
Depend on’t she will be complying,
So follow as fast as you can.
But if coolly she stay, I’m afraid she’ll say nay,
Pray pack up your heart and be gone,
For ye may leave her to some other man.

I
Through jewelled windows in the walls
The tender daylight smiles;
Majestic music swells and falls
Adown the stately aisles;
Shadows of carven roof and rood,
Of stony saints and angels, brood
Above the altar-glow;
They cannot dim the shining face
Of one conspicuous in his place
Amid the forms below.
He that was once my little boy,
With merry voice and look,
My babe, that quarrelled with his toy
And tore his hated book;
But yesterday a laughing lad,
In his dear worldly garments clad,
Talking of college wins,
Wickets, and bumping boats, and goals,
And not of shepherd and lost souls –
His sermons and their sins.
The same, he kneels there, pale and awed,
In cloud of prayer and hymn,
And we are to behold our Lord
Made manifest in him;
To sit, his pupils, and be taught,
Who knows not what the years have brought
To mothers and to men;
To take him for our heaven-sent guide
On seas he never voyaged – wide
And wild beyond his ken.
With all the lore of schools, and none
Of stern and suffering life,
A child with wooden sword and gun,
Unarmed for vital strife;
His mind a bud of spring, unblown,
Its flowering shape as yet unknown,
Its fruit awaiting birth –
A seedling of a thousand strains,
A parasite of dead men’s brains,
Though sprung from living earth.
There, in his proud belief, he stands,
This simple boy of mine,
Transformed by necromantic hands
To something half divine –
All in a moment, in a breath,
An oracle of life and death,
A judge above us all!
What spell is this that has him fast,
When age of miracle is past,
And past beyond recall?
O knight of dreams, in fairy mail!
If for his sake I pray,
It is that fairy arms may fail
And tough steel win the day –
Aye, though his dear heart take the thrust,
And he be trampled in the dust.
But mother fears forbode
(May God have mercy and forefend!)
A tamer journey and an end
Upon an easier road.
A long fulfilling of the vow
Within the vow he spake –
To close the gates of knowledge now,
And no more dare to take
The broad highways of marching thought
By his unfettered brothers sought,
Who follow every clue
On every line, where’er it leads,
Heedless of heresies or creeds,
To find the Right and True.
The mother-love, so apt for woe,
Visions the joyless track
Where the belovèd feet may go
And nevermore come back;
The boy become a thinking man,
That has outgrown the changeless plan
Once fitted to his shape;
The traveller, confident, serene,
Caught in an ambush unforeseen,
Whence there is no escape.
Struggling a little – overborne –
Perplexed – persuaded – spent
With dim self-pity and self-scorn
Supine in discontent.
No – no escape, by any arts,
Save through a score of bleeding hearts –
A stair too steep to climb;
Wherefore be wise and hide the chains,
Drug conscience, with its pangs and pains.
Give peace, Lord, in our time!
O waste of precious force and fire!
The sacred passion pales.
The soaring pinions droop and tire.
Our standard-bearer fails
To keep his battle-flag aloft;
The strong young arm is slack and soft;
The eager feet are slow;
The shining mail is dulled with rust
Of contact with mediaeval dust,
And will not bear a blow.
And under harness so decayed,
What ravage unrevealed?
What moral textures soiled and frayed
And moral sores unhealed?
He must not know that dares not tell.
Hush! It is nothing. All is well.
Peace in our time, O Lord!
And leave the fighting for the heirs.
The blood of sacrifice be theirs
Who cannot shirk the sword.
O boy of mine, that played the game,
And never learned to cheat,
Nor knew such word or thought as shame
In victory or defeat!
Will he be found, when he grows old,
Passing off spurious coin for gold,
Selling dry husks for grain –
The pottage of the Esau’s bowl
That bought the birthright of a soul
His all-sufficient gain?
The image and the robes of what
He seems to serve and seek
But veils – although he knows it not –
On Mammon’s brazen cheek;
His bishop’s smile, his patron’s nod,
The homage of his flock, his god;
His sensuous worship drest
In forms and colours rich and rare –
The spirit’s sanctuary bare –
Heart emptily at rest . . . . . .
Let organ music swell and peal,
And priests and people pray;
Let those who can at altar kneel –
I have no heart to stay.
I cannot bear to see it done –
The hands whose work has scarce begun
Locked in these gyves of lead –
The living spirit gagged and bound,
And tethered to one plot of ground –
A prisoner of the dead.
We present this work in honor of the poet’s 150th birthday.

Oh, do not trust the nighttime hour!
It is filled with evil beauty.
In the nighttime people are close to death,
And flowers alone are strangely alive.
Dark and warm are the quiet walls,
And the hearth is long without fire…
And from the flowers I await betrayals,
For the flowers hate me.
Among them I feel uneasy and hot;
Their aroma is stifling and bold,
But to run away from them is not
Possible—no escape from their arrows.
The evening casts its rays of light
Upon their petals through the blood-stained satin…
The tender body comes to life—
The evil flowers have awoken.
From the toxic arum measured
Droplets fall upon the carpet…
Everything is mysterious and uncertain…
And seems to me a quiet argument.
They rustle; they stir and respire;
Like enemies, they keep their eye on me.
Everything I think—they know, they hear,
And they want to poison me.
Oh, do not trust the nighttime hour!
Beware of evil beauty.
In the nighttime we are all closer to death,
The flowers alone are alive.
We present this work in honor of the poet’s 150th birthday.

I love you as the sea loves the sunrise,
As Narcissus loves the glimmer and the coldness of dreamy waters.
I love you as the stars love the crescent moon,
As the poem loves its creator inspired by fancy.
I love you like the flame that attracts the moth to its Death, from exhaustive love and haunted by melancholy.
I love you as the rushes love the eager wind.
I love you with all my will, and all the strings of my soul.
I love you as I love enchanting dreams,
More than the sun itself, more than the happiness itself, more than life or the joy of spring.