The Flowers of the Forest

Jean Elliot
Scots
1727 – 1805

 

I’ve heard them lilting at our ewe-milking,
Lasses a-lilting before the dawn of day;
But now they are moaning on ilka green loaning—
The Flowers of the Forest are a’ wede away.

At bughts, in the morning, nae blythe lads are scorning,
The lasses are lonely, and dowie, and wae;
Nae daffin’, nae gabbin’, but sighing and sabbing,
Ilk ane lifts her leglin and hies her away.

In har’st, at the shearing, nae youths now are jeering,
Bandsters are lyart, and runkled, and gray;
At fair or at preaching, nae wooing nae fleeching—
The Flowers of the Forest are a’ wede away.

At e’en, in the gloaming, nae younkers are roaming
‘Bout stacks wi’ the lasses at bogle to play;
But ilk ane sits drearie, lamenting her dearie—
The Flowers of the Forest are weded away.

Dool and wae for the order sent our lads to the Border!
The English, for ance, by guile wan the day;
The Flowers of the Forest, that fought aye the foremost,
The prime of our land, are cauld in the clay.

We’ll hear nae mair lilting at our ewe-milking;
Women and bairns are heartless and wae;
Sighing and moaning on ilka green loaning—
The Flowers of the Forest are a’ wede away.

The Day of Easter

In honor of Easter Sunday, we present this work named for the holiday.

Dionysius Solomos
Greek
1798 – 1857

 

The last cool star of dawn was
foretelling the brightest sunshine;
no cloud, no drift of mist was travelling
across any part of the sky.
Coming from there, the breeze
blew so sweetly across the face,
so gently, that it seemed
to whisper to the depths of the heart:
‘Life is sweet and death is darkness.’

‘Christ is Risen!’ Young and old, maidens,
everyone, little and great, prepare!
Inside the laurel-covered churches,
gather in the light of joy!
Open your arms and with them offer peace,
that the icons of the saints may see.
Embrace and kiss other sweetly, lip on lip,
let friend and foe proclaim, ‘Christ is Risen!’

Laurels are placed on every tomb,
beautiful babes are held in mothers’ arms,
the choristers sing sweetly
as they come before the icons.
Bright is the silver, bright is the gold,
under the light of the Easter candles.
Each face alights before the holy candles,
that Christians bear in hand.

Back on Times Square, Dreaming of Times Square

Allen Ginsberg
American
1926 – 1997

 

Let some sad trumpeter stand
on the empty streets at dawn
and blow a silver chorus to the
the buildings of Times Square
memorial of ten years, at 5 A.M., with
the thin white moon just
visible
above the green & grooking McGraw
Hill offices
a cop walks by, but he’s invisible
with his music
The Globe Hotel, Garver lay in
gray beds there and hunched his
back and cleaned his needles―
where I lay many nights on the nod
from his leftover bloody cottons
and dreamed of Blake’s voice talking―
I was lonely,
hotel’s vanished into a parking lot
And I’m back here―sitting on the streets
again―
The movies took our language, the
great red signs
A DOUBLE BILL OF GASSERS
Teen Age Nightmare
Hooligans of the Moon
But we were never nightmare
hooligans but seekers of
the blond nose for Truth
Some old men are still alive, but
the old Junkies are gone―
We are a legend, invisible but
legendary, as prophesied.

Love

We present this work in honor of the poet’s 200th birthday.

Hermogenes Irisarri
Chilean
1819 – 1886

 

Fair maid! believe me, love is like a lake,
Whose crystal depths reflect thy brow of snow;
The roses on thy cheek that come and go,
When in thy azure eyes the smiles awake.

No passing winds the liquid mirror wake,
The cool refreshing airs so softly blow.
But hidden currents in the depths below
The angry surface in an instant shake.

Gaze then in safety from the emerald shore;
Nor launch thy shallop on the treacherous wave.
Even the gentle touch of thy light oar
May rouse the slumbering peril from its grave.
Thy fragile bark is on rough waters tossed;
The picture fades, thou sinkest, and art lost.

The Donkey

G.K. Chesterton
English
1874 – 1936

 

When fishes flew and forests walked
And figs grew upon thorn,
Some moment when the moon was blood
Then surely I was born.

With monstrous head and sickening cry
And ears like errant wings,
The devil’s walking parody
On all four-footed things.

The tattered outlaw of the earth,
Of ancient crooked will;
Starve, scourge, deride me: I am dumb,
I keep my secret still.

Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet.

Father Returning Home

In honor of Mihavir Jayanti, we present this work by one of India’s greatest 20th century poets.

Dilip Chitre
Indian
1938 – 2009

 

My father travels on the late evening train
Standing among silent commuters in the yellow light
Suburbs slide past his unseeing eyes
His shirt and pants are soggy and his black raincoat
Stained with mud and his bag stuffed with books
Is falling apart. His eyes dimmed by age
fade homeward through the humid monsoon night.
Now I can see him getting off the train
Like a word dropped from a long sentence.
He hurries across the length of the grey platform,
Crosses the railway line, enters the lane,
His chappals are sticky with mud, but he hurries onward.
Home again, I see him drinking weak tea,
Eating a stale chapati, reading a book.
He goes into the toilet to contemplate
Man’s estrangement from a man-made world.
Coming out he trembles at the sink,
The cold water running over his brown hands,
A few droplets cling to the greying hairs on his wrists.
His sullen children have often refused to share
Jokes and secrets with him. He will now go to sleep
Listening to the static on the radio, dreaming
Of his ancestors and grandchildren, thinking
Of nomads entering a subcontinent through a narrow pass.

In an Old Farmhouse

Lucy Maud Montgomery
Canadian
1874 – 1942

 

Outside the afterlight’s lucent rose
Is smiting the hills and brimming the valleys,
And shadows are stealing across the snows;
From the mystic gloom of the pineland alleys.
Glamour of mingled night and day
Over the wide, white world has sway,
And through their prisoning azure bars,
Gaze the calm, cold eyes of the early stars.

But here, in this long, low-raftered room,
Where the blood-red light is crouching and leaping,
The fire that colors the heart of the gloom
The lost sunshine of old summers is keeping¬
The wealth of forests that held in fee
Many a season’s rare alchemy,
And the glow and gladness without a name
That dwells in the deeps of unstinted flame.

Gather we now round the opulent blaze
With the face that loves and the heart that rejoices,
Dream we once more of the old-time days,
Listen once more to the old-time voices!
From the clutch of the cities and paths of the sea
We have come again to our own roof-tree,
And forgetting the loves of the stranger lands
We yearn for the clasp of our kindred’s hands.

There are tales to tell, there are tears to shed,
There are children’s flower-faces and women’s sweet laughter;
There’s a chair left vacant for one who is dead
Where the firelight crimsons the ancient rafter;
What reck we of the world that waits
With care and clamor beyond our gates,
We, with our own, in this witching light,
Who keep our tryst with the past tonight?

Ho! how the elf-flames laugh in glee!
Closer yet let us draw together,
Holding our revel of memory
In the guiling twilight of winter weather;
Out on the waste the wind is chill,
And the moon swings low o’er the western hill,
But old hates die and old loves burn higher
With the wane and flash of the farmhouse fire.

The Maggots

In honor of the festival of Dr. Amdekar Jayanti, we present this work by a great 20th century Indian poet.

Kamala Surayya
Indian
1934 – 2009

 

At sunset, on the river ban, Krishna
Loved her for the last time and left…

That night in her husband’s arms, Radha felt
So dead that he asked, What is wrong,
Do you mind my kisses, love? And she said,
No, not at all, but thought, What is
It to the corpse if the maggots nip?

O, Whom He Misgives Into Singing Bird Is Wrong

Ibn Abd Rabbihi
Arab Andalusian
860 – 940

 

O, whom he misgives into singing bird is wrong
I didn’t think anyone carry this stingy feature for long
If all peoples’ ears would listen to its sound
Its sound will be not lessened or multiplied
If not I took care form thy meteor would burn me
I should eavesdrop to distant place probably
If Zaryab the musical was alive then he heard me
He would be dissolved at jealousy and died sadly
Don’t be grudger upon my hearing tiring to copy
It is a sound can play instead of soul in the body
Yet wine I don’t drink it now and formerly
I don’t come to thee unless I am satisfied totally