We present this work in honor of the poet’s 105th birthday.
Takis Sinopoulos
Greek
1917 – 1981
Come with me tonight, I’ll embrace you with my leaves and with my clouds. I’ll wrap you round in countless metamorphoses and voices, until merely your white bones remain in the moon’s foam.
We present this work in honor of the poet’s 115th birthday.
Parvin E’tesami Persian 1907 – 1941
From every street and roof rose joyous shouts; The king that day was passing through the town An orphan boy amidst this speaks his doubts, What is that sparkle that’s atop his crown?
Someone replied : that’s not for us to know, But it’s a priceless thing, that’s clear! A crone approached, her twisted back bent low, She said: that’s your heart’s blood and my eye’s tear!
We were deceived by shepherd’s staff and robe He is a wolf; for many years he’s known the flock. The saint who craves control is but a rogue A beggar is the king who robs his flock.
Upon the orphan’s tears keep fixed your gaze. ‘Til you see from where comes the jewel’s glow. How can straight talk help those of crooked ways? And frank words will to most folk deal a blow.
Christy Brown came to town riding on a wheelchair Back strapped to wheel and chair Freewheeling down all his days Into the byways in our heads Visions bursting from his pen Ink in blood, left foot in rapture Riding through Fleet Street pulp Past paper stand and paste Ploughing stairs to heaven Riding on and on and on His chariot wheels Conquering heroes in space In the time allotted for his spin. Reared in masses his childhood Playpen on concrete slabs Turned into flowing fountains In his fountain pen toes Ceasing to suffer in the kennel of his bark Spent dark years with his ears Tied to his mother’s tongue. Where are you mother? I am here, I am here Christy Growing flowers in your yard Sending fruit to the marketplace in your soul Patiently bending my breasts To feed the hunger in your mind. Dear bended lady Drawing she drew in midnight whispers The elements of verse Vocalising grammar, building his armory for battle Filling his long, sleepless, limping nights With the music of her challenge And she took a dead season from her womb And built a birth as bright as Christmas. In his schoolroom slum That buried some and crippled most The toast from her womb grew legs in her words And walked long distance to the corners of the eart Striding beyond Getsemane past the Avenue of the Sorrows Out of Golgatha into resurrection.
Christy Brown came to town riding on a donkey
Christy Brown came to town riding on a donkey Streets in palms carpeting his Sunday visit He rode barebacked the donkey of the Apocalypse Over bridges where crippled water stood still In the lame shores of our crime. He rode heaven high over tears and pity Through the attending city Where skeletons hid high in the cupboards of our complacency He rode on and on and on and on her rode On the laughter in his size Everlasting in song Storming our ears in wonder Making his face shine upon us And throwing from the seaweeds of his wisdom Iodine To heal the wounds of a waiting world.
In honor of Canberra Day, we present this work by one of contemporary Australia’s most notable poets.
Chris Mansell
Australian
b. 1953
On someone else’s place it seems to him the land slings distance way out the dirt is dead and the sky seems twisted the beat of the stones is wrong he doesn’t know how to say it there are no words no opportunity and anyway what would you say that you’re a stranger and this doesn’t say it at all
he walks with his weapon through the town and from time to time he sees the luscious curl of intimacy the uncommon common life it’s dressed differently he can’t understand the language rasping and gargling another time he’d be an interested tourist now he’s a hunter and the hunted
soon they say he’ll be freed to retreat home where the earth is vein deep and when he puts his hand on the ground he’ll feel it beating but now he can’t remember home though he knows the words well enough back paddock Steve’s paddock the yard it’s just words but now the imam calls and winds a veil around his senses and sometimes he thinks he’ll never get back to where he belonged
We present this work in honor of the poet’s 100th birthday.
Jack Kerouac
American
1922 – 1969
Wonder if my poem title will be acceptable. (The Absence of Courage)
I.
Courage is an interesting virtue. The only difference between courage and unrealistic hopefulness is success. Courage to me means standing up against injustice, or atleast finding the strength to do something your character or the outside world would rather you didn’t do. It’s that noble buck with big horns we admire and have the deepest of respect for, it’s that noble buck with big horns we like to shoot down and hang on our walls.
Like the tobacco in a cigarette, the only way to draw it out from the depths of your character is to embrace it and set it on fire. But don’t take more than you can handle, or you might find yourself coughing up the illogical notion, the practicality of your subconscious triumphing. Bite off just enough, enough to sustain hope, but not enough to defeat the cowardice in your soul to the point where you altogether snuff restraint and self doubt.
II.
I have seen courage in a number of places, in the sun for it’s miraculous overpowering of darkness every morning, in a woman who decides to have a child despite life threatening consequences. I’ve seen it mainly in action movies, where it exists without the natural predators of insecurity and sensibility found in the real world. I’ve seen it in the insurrection of children who decide to just say yes, I’ve seen it in the cynical gaze of withered old addicts who are trying to say no.
Courage, it’s a wonderful thing. It’s both a blessing and a curse. Embrace it and harness it, but do it in moderation, or it might get the better of your self-doubt and sensibility.
Love is inaccessible, incomparable, immeasurable It is like the ocean – He who comes to its shore will not go back When he drank the wine of Love, Varuna became the Lord of the waters Because he drank poison out of Love, the Lord of the Mountain, Shiva, is worshipped.
The clamor of dusty children changes in the throats of flutes. For the children in narrow alleys, a gun is two fingers put together, and death is closing of eyelids and rolling around in dirt. Tomorrow imaginary guns shall be left and forgotten on the decks of paper boats, and the camouflage costumes, once too large for the world’s children shall fit.
We present this work in honor of the poet’s 130th birthday.
Vita Sackville-West
English
1892 – 1962
And so it ends, We who were lovers may be friends. I have some weeks in which to steel My heart and teach myself to feel Only a sober tenderness Where once was passion’s loveliness.
I had not thought that there would come Your touch to make our music dumb, Your meeting touch upon the string That still was vibrant, still could sing When I impatiently might wait Or parted from you at the gate.
You took me weak and unprepared. I had not thought that you who shared My days, my nights, my heart, my life, Would slash me with a naked knife And gently tell me not to bleed But to accept your crazy creed.
You speak of God, but you have cut The one last thread, as you have shut The one last door that open stood To show me still the way to God. If this be God, this pain, this evil, I’d sooner change and try the Devil.
Darling, I thought of nothing mean; I thought of killing straight and clean. You’re safe; that’s gone, that wild caprice, But tell me once before I cease, Which does your Church esteem the kinder role, To kill the body or destroy the soul?
We present this work in honor of the 105th anniversary of the poet’s death.
Eduardo Pondal Spanish 1835 – 1917
My good friends, liven up! He who shrivels up shatters his spirit; Let whoever wishes to drink drink, Let whoever wishes to live live And drink… and long live Have-a-Drink!