Hence Cupid! with your cheating toys, Your real griefs, and painted joys, Your pleasure which itself destroys. Lovers like men in fevers burn and rave, And only what will injure them do crave. Men’s weakness makes love so severe, They give him power by their fear,
And make the shackles which they wear. Who to another does his heart submit, Makes his own idol, and then worships it. Him whose heart is all his own, Peace and liberty does crown, He apprehends no killing frown. He feels no raptures which are joys diseased, And is not much transported, but still pleased.
We present this work in honor of the 485th anniversary of the poet’s death.
Garcilaso de la Vega Spanish 1501 – 1536
I Had I the sweet resounding lyre Whose voice could in a moment chain The howling wind’s ungoverned ire, And movement of the raging main; On savage hills the leopard rein,
II The lion’s fiery soul entrance, And lead along with golden tones The fascinated trees and stones In voluntary dance, Think not, think not, fair Flower of Gnide,
III It e’er should celebrate the scars, Dust raised, bloodshed, or laurels dyed Beneath the gonfalon of Mars; Or borne sublime on festal cars, The chiefs who to submission sank
IV The rebel German’s soul of soul, And forged the chains that now control The frenzy of the Frank. No, no! its harmonies should ring In vaunt of glories all thine own,
V A discord sometimes from the string Struck forth to make thy harshness known; The fingered chords should speak alone Of Beauty’s triumphs, Love’s alarms, And one who, made by thy disdain
VI Pale as a lily dipt in twain, Bewails thy fatal charms. Of that poor captive, too, contemned, I speak, his doom you might deploreIn Venus’ galliot-shell condemned
VII To strain for life the heavy oar. Through thee no longer as of yore He tames the unmanageable steed, With curb of gold his pride restrains, Or with pressed spurs and shaken reins
VIII Torments him into speed. Not now he wields for thy sweet sake The sword in his accomplished hand, Nor grapples like a poisonous snake, The wrestler on the yellow sand;
IX The old heroic harp his hand Consults not now, it can but kiss The amorous lute’s dissolving strings, Which murmur forth a thousand things Of banishment from bliss.
X Through thee, my dearest friend and best Grows harsh, importunate, and grave; Myself have been his port of rest From shipwreck and the yawning wave; Yet now so high his passions rave
XI Above lost reason ‘s conquered laws, That not the traveller ere he slays The asp, its sting, as he my face So dreads, or so abhors. In snows on rocks, sweet Flower of Gnide,
XII Thou wert not cradled, wert not born, She who has no fault beside Should ne’er be signalized for scorn; Else, tremble at the fate forlorn Of Anaxarete, who spurned
XIII The weeping Iphis from her gate, Who, scoffing long, relenting late, Was to a statue turned. Whilst yet soft pity she repelled, Whilst yet she steeled her heart in pride,
XIV From her friezed window she beheld Aghast, the lifeless suicide; Around his lily neck was tied What freed his spirit from her chains, And purchased with a few short sighs
XV For her immortal agonies, Imperishable pains. Then first she felt her bosom bleed With love and pity; vain distress! Oh what deep rigors must succeed
XVI This first sole touch of tenderness! Her eyes grow glazed and motionless, Nailed on his wavering corse, each bone Hardening in growth, invades her flesh, Which, late so rosy, warm, and fresh,
XVII Now stagnates into stone. From limb to limb the frost aspire, Her vitals curdle with the cold; The blood forgets its crimson fire, The veins that e’er its motion rolled;
XVIII Till now the virgin’s glorious mould Was wholly into marble changed, On which the Salaminians gazed, Less at the prodigy amazed, Than of the crime avenged.
XIX Then tempt not thou Fate’s angry arms, By cruel frown or icy taunt; But let thy perfect deeds and charms To poets’ harps, Divinest, grant Themes worthy their immortal vaunt;
XX Else must our weeping strings presume To celebrate in strains of woe, The justice of some signal blow That strikes thee to the tomb.
“Wild geese have never flown as far as Hengyang”; How then will my embroidered words be carried all the way to Yongchang? Like the willow’s flowers by the end of spring, I am ill-fated indeed; In the mists of that alien land, you feel the pangs of despair. “Oh, to go home, to go home,” you mourn to the year’s bitter end. “Oh, if it would rain, if it would rain,” I complain to the bright dawn. One hears of vain promises that you could be set free; When will the Golden Cock reach all the way to Yelang?
I see the world falling, I see it beguiled, I see virtue abandoned, And the Muses contemptuously held, So much that nearly is my heart entombed.
I see hate and envy all twisted about thought of friends, and with false song; I see the worthy betrayed by the vile, And all to our loss, the heavens rebel.
None the standard of the common good hold firm, Instead for private gain all declaim, While heavy are their hearts with motives dark.
I see and in seeing hold even self hateful, So that for loathing I would, See myself sightless or the world entire, blind.
We present this work in honor of the 430th anniversary of the poet’s death.
Veronica Franco Italian 1546 – 1591
If I could be certain of your love, from what your words and face display, which often conceal a changing mind; if external signs revealed what the mind conceals within, so that a person were not so often entrapped by deceit, I would cast aside this fear, for which, however I tried to protect myself, I would be mocked as simple and unwise; “to the same place one can take many roads,”
the proverb says; and it is never safe to change one’s direction according to appearances. Let no one stray from the beaten path who is trying to find safe shelter before the night comes to catch up with him. The path of hope is not straightforward, for more often than not, it leads astray with lying words and false pretense; the path of certainty is the right way, which always leads to peaceful rest
and is safe on both sides and from. behind; to this path I raise up my eyes’ thought and, disappointed by words and charm, I leave behind all their misleading lures. May you find this an acceptable excuse, may it acquit me of the charge that I believe neither your gestures nor your words. And if you truly love me, it grieves me very much that you do not reveal yourself by deeds, as a man who loves truly usually does:
I am sorry, on one hand, that you feel pain, and on the other, that you frustrate me in my desire to satisfy your true love. Since I will not believe that I am loved, nor should I believe it or reward you for the pledge you have made me up to now, win my approval, sir, with deeds: prove yourself through them, if I, too, am expected to prove my love with deeds; but if instead you long for fictions,
as long as you persist in spinning out tales, my welcome to you will be just as false; and, when, fatigued and annoyed by fictions, you show me your love in deeds, I will assure you of mine in the same way. I will show you my heart open in my breast, once you no longer hide yours from me, and my delight will be to please you; and if you think I am so dear to Phoebus for composing poems, in the works of love you’ll find me dearer still to Venus.
Certain qualities concealed within me, I will reveal to you, infinitely sweetly, which prose or verse has never shown another, on this condition: that you prove your love to me by other means than compliments, for I take care not to be fooled by them; please me more with deeds and praise me less, and where your courtesy overflows into praise, distribute it in some other way. Does what I say seem right to you,
or do you instead perhaps think I am wrong, lacking experience to choose the right path? Sir, being mocked is a most painful thing, especially in love; and let whoever does not believe this show his reason why. I am ready to walk in step with you, and I will love you beyond any doubt, just as your merit requires I should. If in your breast you have love’s burning fire I’ll feel it by your side, for it will have
The power to set my heart aflame, too; it’s not possible to escape its blows, and whoever feels truly loved is bound to love the lover in return; but attempting to make white pass for black is something that everybody dislikes, even those whose judgment is weak. So show me the fruits of your love for me, for only foolish folk are deceived by the lure of empty words.
Despite what I now answer you, I’d not want you to think me greedy for gain, for that vice is not concealed in my breast; but I would like you to believe that when I love, my courteous desires, if not chaste, are decidedly chary; and as soon as I have understood that a man is brave and that he loves me, I’ve returned his principal with interest. But whoever, on this account, should decide
to try to fool me is himself a fool; and anyone he asks could tell him so. And what I now request from you is not that you express your love for me with silver or with gold; for to make a deal with a gentleman in order to extract a treasure from him is most improper if one’s not entirely venal. Such an act doesn’t suit my profession, but I want to see, I say it clearly,
your love in deeds instead of words. You know well what I most cherish: behave in this as I’ve already told you, and you’ll be my special, matchless lover. My heart falls in love with virtues, and you, who possess so many of them that in you all the finest wisdom dwells, don’t deny me your effort in such a great cause let me see you longing in this way to acquire a lover’s claim upon me;
be diligent and eager in this task and in order to grant my wish, do not be idle in your free time. This will be no burden to you for to your prowess any undertaking, however difficult, comes with ease. And if such a small task weighs you down, think of how iron and stone fly aloft, when set in motion by a burning flame; whatever by nature tends to sink downward
through the fury of fire, more than any other force, turns to rise from the center to the rim; so love for me has no place within you since it lacks the power to make you do what even without love would be a small thing. And do you then hope to make me love as if you believed that with one single leap I should suddenly fall in love with you? I don’t glory in this or exalt myself; but, to tell you the truth, you want to fly
without wings and rise too high all at once; let your desire match your ability, for you can easily reach a height that others, with effort, cannot attain. I long to have a real reason to love you and I leave it up to you to decide, so that you have no right to complain. There’ll be no gap between merit and reward if you’ll give me what, though in my opinion it has great value, costs you not a thing;
your reward from me will be not only to fly but to soar so high that your hope will match your desires. And my beauty, such as it is, which you never tire of praising, I’ll then employ for your contentment; sweetly lying at your left side, I will make you taste the delights of love when they have been expertly learned; And doing this, I could give you such pleasure
that you could say you were fully content, and at once fall more deeply in love. So sweet and delicious do I become, when I am in bed with a man who, I sense, loves and enjoys me, that the pleasure I bring excels all delight, so the knot of love, however tight it seemed before, is tied tighter still. Phoebus, who serves the goddess of love, and obtains from her as a sweet reward
what blesses him far more than being a god, comes from her to reveal to my mind the positions that Venus assumes with him when she holds him in sweet embraces; so that I, well taught in such matters, know how to perform so well in bed that this art exceeds Apollo’s by far, and my singing and writing are both forgotten by the man who experiences me in this way, which Venus reveals to people who serve her.
If your soul is vanquished by love for me, arrange to have me in far sweeter fashion than anything my pen can declare. Your valor is the steadfast knot that can pull me to your lap, joined to you more tightly than a nail in hard wood; your skill can make you master of my life, for which you show so much love that skill that miraculously stands out in you. Let me see the works I’ve asked for from you,
for then you’ll enjoy my sweetness to the full; and I will also take pleasure in yours, in the way that mutual love allows, which provides delight free from all pain. I yearn and long to have a good reason to love you: decide what you think best, for every outcome depends on your will.
Like flitting Philomel, who flies so proudly free having escaped the prison of her hated cage, who goes among the wooded groves and greens returning to her former happy life in liberty,
so had I escaped from love’s handcuffs, scorning all suffering and the special bitter pain of the sorrow beyond belief, reserved for the one who has lost her soul through excess, loving love.
As the Cyprian knows well (oh, merciless star!) I had gathered up my spoils from her temple and for their proud price I had gone elsewhere;
when to me, Love said: I will alter (to renew my pangs) your perverse will.
We present this work in honor of the 425th anniversary of the poet’s death.
Madeleine de l’Aubespine French 1546 – 1596
Let the earth cease its turning, suddenly, And the fixed stars travel the firmament; Let somber Saturn shine, benevolent; Jupiter rule the hosts beneath the sea;
Let Mars turn peaceful; Sun’s lush clarity Turn dim, then dark; grow motionless, outspent; Venus unloving; Mercury, content, Changeless; Moon square, no more a circle be;
Let fire weigh heavy and the earth weigh light; Water feel dry and warm; and let the flight Of fish go coursing, grazing through the sky,
Sooner than might another know my love. Born was I but to grant you all thereof; For you alone I live, and for you, die.
In the garden, the rose commanded a cavalry of flowers, And put to flames again the dwelling place of the bulbul.
In the crucible of the bud the nightingale purifies gold, That the rose might craft itself a ring for its ear.
The rose will not open the opium-vial of the bud to the knowers of mysteries, So long as it is withdrawn, master of the secret of the trance.
The bulbul teaches the Parliament of birds to the garden of children, Like the Perfumer, ‘Attar, the rose makes clear its every chapter.
Eager waiting opens wounds in the nightingale’s heart. O Lord! Why does the rose keep such a tight collar on the bud?
Know this! In the rosebower every leaf is a page of delicate meaning, Each bud The treasury of inner truth, each rose The dawn of illumination.
Truly, the flame and cotton can have no dance together. The roses enfold the bulbul, like a salamander, in flames.
It is the black burn at its breast that makes each poppy loved, So the rose in the meadow cannot shy from the cruelty of the thorn.
No wonder the flames of jealousy turn the bulbul to ash; The playful rose hangs, laughing from the neck of every branch.
The rose made the bulbul’s nest a howdah for its kin, Thus it seems to have made ready its caravan of exile.
It is time the rose caused the mouths of baby nightingales to open, And thus make shepherd’s pipes of the bulbul’s nest.
The rose begs the morning breeze for the dust of the Monarch’s feet As salve to cure the eye of the ailing narcissus of the garden.
What a Lord is Sultan Suleyman, the sound and firm of heart, For whom the sun is but a gilded rosette on the portico of his palace!
The scent that wafts from the markets of China is but a trace of his virtue’s scent. The rose, lord of flowers, is but a leaf in the chapter of his generosity.
Were it not, once a year, to bow its head in the dust at his feet, The rose would not have bejewelled its ruby crown with pearls of dew.
Your enemy’s head, drenched in blood on the point of your spear, Is like that tall and slender sapling tipped by a rose.
In the era of your justice, it is time that the rose beg mercy, O Shah! For taking the blood of the bulbul, to rouge its face.
The bud is ever tight-lipped but in describing your justice; And the rose recites no litany but that of your kind gifts.
My Lord, I came but to rub my face in the tracks of your hounds. To me they are the only thornless roses in the bower of this world.
The rose made the nest of the bulbul a bowl for begging, And thus came importunate to your court like a ragged dervish.
The rose-bush has adorned itself with brands all bloody, O lord of beauty, since it became the lover of your face.
Tears made of dew are born on the rose’s face, As it bewails the ill fortune of your slave Hayâlî.
O you, mighty as Jemshid, though I be transitory, my words live on. The rose itself is destroyed but its traces remain in the rose-water.
Though I have come after Necâtĺ and Nevâyî, why sorrow? The thorn sprouts first from the branch and after the thorn, a rose.
Though the thorn of grief bloodied my heart like the bud, The fruit of the sprout of my fortune’s garden is a rose.
Just as every point of rain has for its source a cloud, As the roses are drawn without compasses in the shapes of circles,
Let prosperity be the bud of the rose-bower of your reign, And you, with rose-garden cheeks, smile like a rose at every breath.
I swear to you, Love, by your arrows, And by your powerful holy flame, I care not if by one I-m maimed, My heart burned, wasted by the other: However far through times past or coming, There never was nor will be woman Whomever of them you wish to name, Could know such sharpness, such devouring:
For there-s a virtue born from suffering, That dims and conquers the sense of pain, So that it-s barely felt, seems scarcely hurting. No! This, that torments soul and body again, This is the real fear presaging my dying: What if my fire be only straw and flame?
We present this work in honor of the 405th anniversary of the poet’s death.
William Shakespeare English 1564 – 1616
All the world’s a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then the justice, In fair round belly with good capon lin’d, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper’d pantaloon, With spectacles on nose and pouch on side; His youthful hose, well sav’d, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste, sans everything.
Poets Corner 