Outside Times Ten and One Within

09-23 Castellon
Blanca Castellón
Nicaraguan
b. 1958

 

I
Outside

is desert
keen to be river

there’s laughter I don’t listen to

folk walk around
whose hearing is blind

outside no hugs are given
there’s haste and abysses

bridges have gone missing

II
Outside

there are no dogs in the street
no tiny red turtles

not one lizard
basking in rooftop sun

III
Outside

is the moon whose breast
gapes with wounds

a plague of poets
fouls the silence

the tree says goodbye to its roots
and no one feels sad

art like crime
leaves its trail of clues

IV
Outside

there’s dirty linen
shamelessly displayed

trash is deep
outside it’s sickening

deep is the past
deep the future

there’s dried-up vomit
in the volcano’s crater

field on field
of lamentation

there’s Washington
Iraq
Somalia
Haiti

V
Outside

it’s dangerous
to break the spell

there are black verses
forever on everyone’s lips

outside I panic
the sweet names
are exhausted

VI
Outside

there’s no cosy bed
no sheet without stains

no eye pure in its seeing
no easy distances

no mother
no father

outside is a landscape
of forgotten letters

VII
Outside

a child
bursts waiting into tears

there are ulcers in the shadows

traffic in caprice
and other narcotics

books no one will read
outside is absence

VIII
Outside there’s reliable evidence
of angels who rain down coffee

there are tricksters
old photographs

clever flowers
that fade on cue

outside dreams hurt
and drums rumble with evil

cracks in the earth
are spreading

IX
Outside

the poor come back
to die in traps

there’s hunger and a
closed horizon

outside is long

narrow
dry

there’s dust
bones

and a welter of bodies
in a common sky

X
Outside

another outside
is under construction.

XI
Within

joy is here within
deep within

dig
and water gushes

within is Nicaragua.

 

Translation by Roger Hickin

The Leader and the Led

09-14 Osundare
Niyi Osundare
Nigerian
b. 1947

 

The Lion stakes his claim
To the leadership of the pack

But the Antelopes remember
The ferocious pounce of his paws

The hyena says the crown is made for him
But the Impalas shudder at his lethal appetite

The Giraffe craves a place in the front
But his eyes are too far from the ground

When the Zebra says it’s his right to lead
The pack points to the duplicity of his stripes

The Elephant trudges into the power tussle
But its colleagues dread his trampling feet

The warthog is too ugly
The rhino too riotous

And the pack thrashes around
Like a snake without a head

“Our need calls for a hybrid of habits”,
Proclaims the Forest Sage,

“A little bit of a Lion
A little bit of a Lamb

Tough like a tiger, compassionate like a doe
Transparent like a river, mysterious like a lake

A leader who knows how to follow
Followers mindful of their right to lead”

The Dead of September 11

We present this work in honor of 9/11.

09-11 Morrison
Toni Morrison
American
1931 – 2019

 

Some have God’s words; others have songs of comfort
for the bereaved. If I can pluck courage here, I would
like to speak directly to the dead—the September dead.
Those children of ancestors born in every continent
on the planet: Asia, Europe, Africa, the Americas…;
born of ancestors who wore kilts, obis, saris, geles,
wide straw hats, yarmulkes, goatskin, wooden shoes,
feathers and cloths to cover their hair. But I would not say
a word until I could set aside all I know or believe about
nations, wars, leaders, the governed and ungovernable;
all I suspect about armor and entrails. First I would freshen
my tongue, abandon sentences crafted to know evil—wanton
or studied; explosive or quietly sinister; whether born of
a sated appetite or hunger; of vengeance or the simple
compulsion to stand up before falling down. I would purge
my language of hyperbole; of its eagerness to analyze
the levels of wickedness; ranking them; calculating their
higher or lower status among others of its kind.
Speaking to the broken and the dead is too difficult for
a mouth full of blood. Too holy an act for impure thoughts.
Because the dead are free, absolute; they cannot be
seduced by blitz.
To speak to you, the dead of September 11, I must not claim
false intimacy or summon an overheated heart glazed
just in time for a camera. I must be steady and I must be clear,
knowing all the time that I have nothing to say—no words
stronger than the steel that pressed you into itself; no scripture
older or more elegant than the ancient atoms you
have become.
And I have nothing to give either—except this gesture,
this thread thrown between your humanity and mine:
I want to hold you in my arms and as your soul got shot of its box of flesh to understand, as you have done, the wit
of eternity: its gift of unhinged release tearing through
the darkness of its knell.

Ambrosia Arbor

We present this work in honor of Ganesh Charturthi.

09-09 Osho
N.K. Osho
Indian
b. 1975

 

Thousandfold flowers unfetters fragrance…
Thousandfold powers dowers Deliverance…
All frith flowers adore thine aubade!
All Ambrosia audacious attunes along cascade!

When my myriad… mystic
Mood… in mute stands rustic
O’erflows joy e’er encompass!
Sacred love, encore! all onus… pious abyss!

Daze, dazzling… blushes those sweet flower,
Carries my Chariot thought to Rose land!
And thy relume thought compose and jocund!
Where withal… Whimsical thro’ Orison pervade

Sacred Symphony sings, enlightens the Planet
Sonorous savant, radiant grace compose sonnet.

Out of Africa

09-10 Pintado
Carlos Pintado
Cuban
b. 1974

 

You know you are truly alive when you’re living among lions
Isak Dinesen

I never had a farm in Africa, nor was I at the hills of Ngong, and perhaps because I was a rebellious youth, I refused to read the book. Isak was a country on my mind, never a body skinny and consumed by the syphilis, an echoless shadow the grass cut through without any perceived musicality.

For years I held the book in my hand and my hands would tremble. I recall the rain falling over the prairies. If I closed my eyes I would see those men lingering at sunset, seen from that false luminosity that only the written page can give.

Death moved the doors. The lover or the money vanished like leaves. I never had a farm in Africa; I never felt the smell of coffee invading the rooms at sunrise. There were only lions occupying my sleep, their roaring was the only memorable thing as I awoke.

Golden anything

09-04 Kalbasi
Sheema Kalbasa
Persian
b. 1972

 

My fragile nights bathed
in Wisteria
Freshened by Eucalyptus
Pools of anything but Sorrow

Thee my love, thee
Angels and wings of dreamy shadows
Kneeling

Waves of desire
Floating essences, flooding rivers

I am trembling, tremble
Oceans of passion, desire
My fragile nights.

Thundering anything
Waking from mirrors
In the corner of my eye
razors flooding to enter.

I ask my heart: Why?
And the pain becomes a rare visitor.

Poem of a Thousand Faces

We present this work in honor of the poet’s 35th birthday.

Rossy Evelin Lima-Padilla
Mexican
b. 1986

This poem is titled
sailor of the Gulf,
and if I begin to remember
it’s called tiger hand.

When I sit on the floor
thinking of the shoes I used as a little girl
it’s called grandfather of smoke,
It’s also called this
when I find a box
of Raleigh on the floor.

This poem is called the incomplete story,
it’s called returning, the gift of memory.

When I hear the seagull cry
this poem is called blue boat,
it’s called uprooting press mill.

When I think of the future
this poem is called the invincible past,
it’s called knowing myself through your stories.

This poem has a thousand faces
and when I come across it, it tells me,
“There is no fire that burns more than distance”

And the memory sinks its hand in my burning heart.

Dawning

In honor of Revolution Day, we present this work by one of today’s most evocative Egyptian poets.

07-23 Lababidi
Yahia Lababidi
Egyptian
b. 1973

 

There are hours when every thing creaks
when chairs stretch their arms, tables their legs
and closets crack their backs, incautiously

Fed up with the polite fantasy
of having to stay in one place
and stick to their stations

Humans too, at work, or in love
know such aches and growing pains
when inner furnishings defiantly shift

As decisively, and imperceptibly, as a continent
some thing will stretch, croak or come undone
so that everything else must be reconsidered

One restless dawn, unable to suppress the itch
of wanderlust, with a heavy door left ajar
semi-deliberately, and a new light teasing in
Some piece of immobility will finally quit
suddenly nimble on wooden limbs
as fast as a horse, fleeing the stable.

Minimal Miniseries of Marksmanship

In honor of Argentine Independence Day, we present this work by one of Argentina’s finest contemporary poets.

07-09 Neuman
Andrés Neuman
Argentine
b. 1977

 

This insect is the hero
of some resistance movement.
He wheels around
my enemy hand
and dodges every attempt
to interrupt his slight digressions.

As I’m not capable, I admire him instead.
Does admiration
combat this impotence
or confirm it?
Is my compassion the fruit
of missing the mark?

The insect leaves me
his autograph on the air
with the faint buzz of epigrams.