(to the smell of misfortune)

We present this work in honor of Chilean Independence Day.

Rosabetty Muñoz
Chilean
b. 1960

 

The aridity of the gardens
finally tired them all.
Nothing, not even carrots
would grow in that rocky soil.

Breaking your back for
a fistful of herbs.

And the flowers? You’ll say.
And those huge dahlias, like trees?
Don’t remind me of those carnivores.
They seemed to shine their petals
to the smell of misfortune.
They grew
opened
moved their stamens
as we steadily fell.

So As Not to Distort

We present this work in honor of the poet’s 65th birthday.

Hiromi Itō
Japanese
b. 1955

 

I make shiratama
And take them to my man
I heat the sugar and form syrup
Put in the boiled dumplings
And cool them
I seal them tight
And take them
All the shiratama stick to the bottom
The surfaces of the shiratama are torn
Their round
Shapes are distorted
I scoop them up with a spoon
Hey!
Look!
Scoop them out
So they don’t get distorted
I love shiratama best of all
Says my man, carrying the shiratama to his mouth
He closes his eyes and shows me how good they are
I love them more than you
I watch my man
Swallowing the shiratama
And lapping up the lukewarm syrup

I shake the sealed container and wrap it in cloth
Then the two of us
Bring together our syrupy mouths
Slide the palms of our hands
Moving them in the shape of love
But
You know
I don’t want to distort
I don’t want to be left distorted
This is what I think, oh man, my man

I roll them up
Boil the shiratama, heat the syrup, then cool them
I roll into them
Heartrending hopes
Thick syrup
Smooth shiratama
My man swallows them down
Thick like saliva
Smooth like buttocks
How do they taste?

I don’t want to distort you
He also thought in his heartrending way
I have reached him
The food I secrete
Secreted deep, deep
Into the man I love

Worker’s Song

We present this work in honor of Labor Day.

Maya Angelou
American
1928 – 2014

Big ships shudder down to the sea
Because of me
Railroads run on the twinness track
‘Cause of my back

Whoppa, Whoppa
Whoppa, Whoppa

Cars stretch to a super length
‘Cause of my strength
Planes fly high over seas and lands
‘Cause of my hands

Whoppa, Whoppa
Whoppa, Whoppa

I wake
starts the factory humming
I work late
keep the whole world running
And I got something… something coming… coming

Whoppa, Whoppa
Whoppa

To Genius

We present this work in honor of the poet’s 225th birthday.

Frances Wright
Scots
1795 – 1852

 

Yes! it is quench’d — the spark of heavenly fire,
That Genius kindled in my infant mind:
Fled is my fancy: damp’d the fond desire
Of fame immortal; — all my dreams resign’d.
All, all are gone: yet turn I ne’er behind
Like pilgrim wending from his native land?
Shall I in other path such beauties find,
As spring beneath imagination’s hand,
As bloom on wild enthusiasm’s visionary strand?

Celestial Genius! dangerous gift of Heaven!
How many a heart and mind hast thou o’erthrown!
Broken the first, the last to frenzy driven,
Or jarr’d of both for aye the even tone!
Once, once I thought such fate would be my own,
And only look’d to find an early grave;
To die, as I had liv’d — my powers unknown;
Content, so reason might her empire save,
Unseen to sink beneath oblivion’s rayless wave.

But oh! with all thy pains, thou hast a charm
That nought may match within this vale below;
E’en for the pangs thou giv’st, thou hast a balm,
And renderest sweet the bitterness of wo.
Thy breath ethereal — thy kindling glow—
Thy visions bright — thy raptures, wild and high;
He that hath felt — Oh! would he e’er forego?
No! — in thy glistening tear thy bursting sigh,
Though fraught with wo, there is a thrill of ecstasy!

And art thou flown, thou high celestial power?
For ever flown? — Ah! turn thee yet again!
Ah! yet be with me in the lonely hour,
Yet stoop to guide my wilder’d fancy’s rein!
Turn thee once more, and wake thy ancient strain;
No joys that earth can yield I love like thine:
Nay, more than earth’s best joys I love thy pain.
And could I say, I would thy smile resign?
No, while this bosom beats, oh still great gift be mine!

Resurrection

Ana Rosa Núñez
Cuban
1926 – 1999

 

Put me to death
in the blood of this crystal
that I might go unblemished to God.
An embrace of vineyards and sugarcane
overthrew the quietude in which I rose.
A sweet embrace remembered
will open into the light
the protected, ravelled way,
used for the first time
in centuries of brotherly silence.
Through so much anointing,
through so much stony silence
moist silence of tile sun of flight
— silence revived in cries.
Put me to death
in the mystery of Your wine and Your water
on the side through which I live,
on the rock in which I seek wisdom
through the fog of a mystical tropical morning.
If I am put to death this way
I might live forever in the silence
of a day without soil and brine.

The Shadow of the Orange-Leaves

We present this work in honor of the poet’s 175th birthday.

Judith Gautier
French
1845 – 1917

 

The young girl who works
all day in her solitary chamber
is moved to tenderness if she
hears of a sudden the sound of
a jade flute.
And she imagines that she
hears the voice of a young boy.

Through the paper of the
windows the shadow of the
orange-leaves enters and sits
on her knees;

And she imagines that some-
body has torn her silken dress.

Rise Up! To Woman

We present this work in honor of the 110th anniversary of the poet’s death.

Sara Estela Ramírez
Mexican
1881 – 1910

 

Rise up! Rise up to life, to activity, to the beauty of truly living; but rise up radiant and powerful, beautiful with qualities, splendid with virtues, strong with energies.

You, the queen of the word, Goddess of universal adoration; you, the sovereign to whom homage is paid, do not confine yourself so to your temple of God, nor to your triumphant courtesan’s chamber.

That is unworthy of you, before Goddess or queen, be a mother, be a woman.

One who is truly a woman is more than a goddess or queen. Do not let the incense on the altar or the applause in the audience intoxicate you, there is something more noble and more grand than all of that.

Gods are thrown out of temples; kings are driven from their thrones, woman is always woman.

Gods live what their followers want. Kings live as long as they are not dethroned; woman always lives and this is the secret of her happiness, to live.

Only action is life; to feel that one lives is the most beautiful sensation.

Rise up, then, to the beauties of life; but rise up so, beautiful with qualities, splendid with virtues, strong with energies.

Unsung

We present this work in honor of the poet’s 135th birthday.

Nettie Palmer
Australian
1885 – 1964

 

When shall I make a song for you, my love?
When you are nigh me?
Not so, for then the hours unnamed go by me,
Flocking like dove on dove.

When shall that song for you be found, my mate?
When I wait lonely?
Not so, for then am I a mourner only,
Begging without the gate.

Never in words that happy song will rise,
Yet you will feel it,—
Through days your love makes glad I shall reveal it,
Through years your love makes wise.