The Assignation

George Farquhar
Irish
1677 – 1707

 

The Minute’s past appointed by my Fair,
The Minute’s fled
And leaves me dead
With Anguish and Despair.

My flatter’d Hopes their Flight did make
With the appointed Hour;
None can the Minute’s past o’retake,
And nought my Hopes restore.

Cease your Plaints, and make no Moan,
Thou sad repining Swain;
Although the fleeting Hour be gone,
The Place doe’s still remain.

The Place remains, and she may make
Amends for all your Pain;
Her Presence can past Time o’ertake,
Her Love your Hopes regain.

My Hovel

We present this work in honor of the Japanese holiday, Mountain Day.

Ikkyū
Japanese
1394 – 1481

 

The world before my eyes is wan and wasted just like me.
The earth is decrepit, the sky stormy, all the grass withered.
No spring breeze even at this late date,
Just winter clouds swallowing up my tiny reed hut.
Crazy Cloud is a demon in Daito’s line
But he hates the hellish bickering.
What good are old koans and faded traditions?
No use complaining any more, I’ll just rely on my inner treasures.
My real dwelling
Has no pillars
And no roof either
So rain cannot soak it
And wind cannot blow it down
Every day priests minutely examine the Dharma
And endlessly chant complicated sutras.
Before doing that, though, they should learn
How to read the love letters sent by the wind and rain, the snow and moon.

Home Address

We present this work in honor of the South African holiday, National Women’s Day.

Makhosazana Xaba
South African
b. 1957

 

She refuses to pack and leave
Every morning she prays out loud – twice – while
Standing in front of the massive wooden door
For the third time kneeling in front of the eternal flame

She tells them that the flame is her own fire
That she cooks her meals there and sleeps there on cold nights
That she taught herself to read by standing in front of the lettered door
She tells them that the colossal door is a superwoman
When they say she has lost her mind, she says that is a lie
Her home address is: “Hilltop”
And her name is Dedani.

Dancing Boy

We present this work in honor of the International Day of the World’s Indigenous Peoples.

Bobbi Sykes
Australian
1943 – 2010

 

You can see him every weekend
In the plazas in the cities,
His music box beside him
With its fast beat blazing out.

You would swear his body’s boneless
From the many shapes he twists it
And his elegance and grace
Are just superb.

The shy smile of concentration
As he goes through his manoeuvres
Speaks loudly of the painful hours
He has put in to rehearse.

So he pulses to the rhythm
Of a heartbeat very primal
And his Reeboks glide spectacularly
Across the ground.

He is on his back and spinning
With his feet towards the clouds
He is up and down and all-way-round
Then upright – to the roar of the applause.

In repose, his face hints tragedy
That drives his frenzied motion
He has given up his habit
And his feet now keep him sane.

Can he be there dancing for dollars
For the rent, in this city of plenty
Where others throw the coins
To show their joy?

Slow the tape and hear the lyrics
Of the music that propels him
Talking of a world of problems
Far too much for any boy.

Yet he carries this burden proudly
Though his generation’s scorned,
His dark eyes shine satisfaction
With his lot.

His little hat I overflowing
Though his fragile back is blistered
They’ll be noshing very well this night
At his makeshift home in the ghetto.

His Mother’s smile will warm him,
And young siblings, they’ll adore him,
When he walks in, pockets laden
– Backbone raw.

So his furtive fingers twist the button
To raise the volume of his music
While he keeps an eye out for the gungies
Who deplore the clutter of his crowds.

As people toss the lad a dollar
His eyes steadfastly ignore them
And they saunter off with joyful music
In their ears and minds.

All May Come

Mirta Aguirre
Cuban
1912 – 1980

 

All may come by the roads
we least suspect.
All may come from within, wordless,
or from without, burning
and breaking itself in us, unexpectedly,
or grow, as certain joys grow,
with no one listening.
And everything may open one day in our hands
with wistful surprise
or with bitter surprise, unarmed, undressed,
with the sadness of he who suddenly
comes face to face with a mirror and doesn’t see himself
and looks at his eyes and fingers
and uselessly searches for his laughter.
And that’s the way it is. All may come
in the most incredibly desired way,
so strangely far
and coming, not come
nor leave when left behind and lost.
And, for that encounter, one must gather poppies,
a sweet bit of skin, peaches or child,
clean for the greeting.

On Love

We present this work in honor of the poet’s 1040th birthday.

Abu Ali, the Mathematician
Persian
980 – 1037

 

I never knew a sprightly fair
That was not dear to me;
And freely I my heart could share
With every one I see.

It is not this or that alone
On whom my choice would fall:
I do not more incline to one
Than I incline to all.

The circle’s bounding line are they;
Its centre is my heart;
My ready love, the equal ray
That flows to every part.

Morning

Duo Duo
Chinese
b. 1951

 

It’s morning or any time, it’s morning.
You dream of waking up, you’re afraid of waking up
so you say: you’re afraid of ropes, afraid of women with faces of birds, so
you dream of your father
speaking bird words, drinking bird milk.
You dream of your father as a bachelor
who by chance, not in a dream
had you, you dream the dream your father dreamed.
You dream that your father says: this is a dream a dead man dreamed.

You don’t believe but you’re inclined to believe
this is a dream, only a dream, and it’s yours:
it was once the handlebar of a bicycle keeping the shape squeezed by a hand.
Now it droops from your father’s belly.
It was once a son refusing to be born.
Now it’s you
crawling back to that handlebar. You’ve dreamed of all the details
like the teeth your father dropped on the ground, glittering
and laughing at you.
So you are not the death
but merely a case of death: you’ve dreamed your dream’s death.

Profit and Loss

Julio Cortázar
Argentine
1914 – 1984

 

I’m lying again, with grace,
I bow respectfully before the mirror
reflecting my collar and tie.
I believe I am that gentleman who goes out
every morning at nine.
The gods are dead one by one in long lines
of paper and cardboard.
I don’t miss anything, I don’t even
miss you. I feel a little hollow, but it’s just
a drum: skin on either side.
Sometimes you return in the evening, when I’m reading
things that put me to sleep: the news,
the dollar and the pound, United Nations
debates. It feels like
your hand stroking my hair. But I don’t miss you!
It’s just that little things are suddenly missing
and I might like to seek them out: like happiness,
and the smile, that furtive little creature
no longer living between my lips.