Cythera saw Adonis And knew that he was dead; She marked the brow, all grisly now, The cheek no longer red; And “Bring the boar before me” Unto her Loves she said.
Forthwith her winged attendants Ranged all the woodland o’er, And found and bound in fetters Threefold the grisly boar: One dragged him at a rope’s end E’en as a vanquished foe; One went behind and drave him And smote him with his bow: On paced the creature feebly; He feared Cythera so.
To him said Aphrodite: “So, worst of beasts, ‘twas you Who rent that thigh asunder, Who him that loved me slew?” And thus the beast made answer: “Cythera, hear me swear By thee, by him that loved thee, And by these bonds I wear, And them before whose hounds I ran— I meant no mischief to the man Who seemed to thee so fair.
“As on a carven statue Men gaze, I gazed on him; I seemed on fire with mad desire To kiss that offered limb: My ruin, Aphrodite, Thus followed from my whim.
“Now therefore take and punish And fairly cut away These all unruly tusks of mine; For to what end serve they? And if thine indignation Be not content with this, Cut off the mouth that ventured To offer him a kiss”—
But Aphrodite pitied And bade them loose his chain. The boar from that day forward Still followed in her train; Nor ever to the wildwood Attempted to return, But in the focus of Desire Preferred to burn and burn.
We present this work in honor of the Tunisian holiday, Martyrs’ Day.
Samia Ouederni Tunisian b. 1980
Do not fill their voices with smoky air because shut mouths of despair are blocking their spit, their revived viruses, their weaknesses to tell the story when the noise of a rolling stone is swearing at god. Shall I, at least, say that memory is decayed that history is dismayed; that past is dead deeds and mythological dates are the land’s seeds as the sheep have forgotten about the wolf’s teeth clacking? Shall I say that Eternity means not a Calvin Klein’s perfume but looms above their hats and doom denying all celebrity? Or will you forget someday that trees have their leaves to be lost over heartless pebbles and frost? I have learnt from history that dam-builders will be forever damned. When the water will rise with the people’s tears, it will spare none. Shall I tell about a woman’s cry amid sounds and swear-words? Or loudly my voice will tell of female shapes whose bodies have been displaced for time and space in fashion magazines? Can I turn on a TV pretending to re-appropriate history or will its waves bring about voiceless shouts? Now, when writing is fired by scientific neutrality that cries: “I AM THE WORLD!” Can I, at last, see purged tongues laying down their sandals and feet with no chance even to cheat or tell what their hearts hide? Will I be hanged when they will understand?
We present this work in honor of the poet’s 225th birthday.
Dionysius Solomos Greek 1798 – 1857
Nature is magic and a dream in beauty and charm, The black stone and the dry grass look golden. Through a thousand springs gushes forth, a thousand tongues say it “Whoever dies today, he dies one thousand times”.
We present this work in honor of the poet’s 255th birthday.
Mah Laqa Bai Indian 1768 – 1824
Cups of crimson wine are circling in rounds of dance If the beloved is glimpsed, this party abounds in dance God made this beloved peerless in my view Everything before my eyes resounds with dance You captivate beasts and birds along with people low and high Each in its way obeys your command in bounds of dance Leave the party of my rivals and come over to mine I’ll show you a star whose very name sounds like dance Why shouldn’t Chanda be proud, O Ali, in both worlds? At home with you she eternally astounds with dance
We present this work in honor of the Ching Ming Festival.
Tao Yuanming Chinese 365 – 427
Though life is brief, feeling is everlasting; That is why man wants to live long. The sun and moon follow the stars. The whole world loves this name. The dew is cold, and the warm wind drops; The air is penetrating, the day bright. The departing swallow leaves no shadow; The returning wild goose brings a lingering cry. Wine can wash away a hundred woes, And chrysanthemums set a pattern for old age. Why should I, a hermit, Gaze vacantly at the change of seasons? The ministers are ashamed of their empty grain jars. The autumn chrysanthemums are alone in their beauty. I alone sing while fastening my garments. A feeling of melancholy stirs deep within me. It is true that there is much amusement in living, But in idling is there no accomplishment?
We present this work in honor of the poet’s 165th birthday.
Remy de Gourmont French 1858 – 1915
Rose with dark eyes, mirror of your nothingness, rose with dark eyes, make us believe in the mystery, hypocrite flower, flower of silence.
Rose the colour of pure gold, oh safe deposit of the ideal, rose the colour of pure gold, give us the key of your womb, hypocrite flower, flower of silence.
Rose the colour of silver, censer of our dreams, rose the colour of silver, take our heart and turn it into smoke, hypocrite flower, flower of silence.
Though I die and die again a hundred times, That my bones turn to dust, whether my soul remains or not, Ever loyal to my Lord, how can this red heart ever fade away?